1
00:01:01,511 --> 00:01:04,013
( classical string music
playing )

2
00:02:31,067 --> 00:02:33,569
( women talking softly )

3
00:02:40,076 --> 00:02:42,578
WHY, YOU GOT
A DATE TONIGHT?

4
00:02:42,579 --> 00:02:44,581
IT'S SUPPOSED TO BE
AN APHRODISIAC.

5
00:02:44,581 --> 00:02:46,583
- IS IT?
- YEAH...

6
00:03:36,132 --> 00:03:37,633
( Italian language tape: )
<i>Ascolti...</i>

7
00:03:37,634 --> 00:03:40,136
<i>Casa-- Case.</i>

8
00:03:40,136 --> 00:03:42,638
Woman:
CASA-- CASE.

9
00:03:42,639 --> 00:03:47,143
<i>Profesore-- Profesori.</i>

10
00:03:47,143 --> 00:03:51,147
PROFESORE-- PROFESORI.

11
00:03:51,147 --> 00:03:54,150
<i>Ragazza-- Ragazzi.</i>

12
00:03:54,150 --> 00:03:57,653
RAGAZZA-- RAGAZZI.

13
00:03:57,654 --> 00:04:01,157
<i>Giacca-- Giacce.</i>

14
00:04:01,157 --> 00:04:04,660
GIACCA-- GIACCE.

15
00:04:56,212 --> 00:04:57,713
HI, CARL.

16
00:04:57,714 --> 00:04:59,215
HI.
MRS. SINCLAIR CALLED,

17
00:04:59,215 --> 00:05:00,716
SAID SHE'S GOING TO BE
A COUPLE OF MINUTES LATE

18
00:05:00,717 --> 00:05:01,718
FOR HER APPOINTMENT.

19
00:05:01,718 --> 00:05:04,220
SO THAT SHOULD BE
ABOUT... 9:15,

20
00:05:04,220 --> 00:05:05,221
AND THEN AT 9:45,

21
00:05:05,221 --> 00:05:07,223
YOU'VE GOT
AN APPOINTMENT WITH--

22
00:05:07,223 --> 00:05:08,224
( door closes )

23
00:05:14,230 --> 00:05:16,232
<i>ALLEZ,</i>
<i>A LA BOEUF.</i>

24
00:05:20,737 --> 00:05:23,239
( operatic singing )

25
00:05:38,254 --> 00:05:40,256
( singing louder )

26
00:05:51,267 --> 00:05:56,772
♪ AMARILLI... ♪

27
00:06:14,791 --> 00:06:16,793
( women conversing )
<i>MAYBE I SHOULD PUT A PILLOW</i> <i>UNDER YOUR SHOULDERS.</i>

28
00:06:16,793 --> 00:06:18,795
<i>OH, YEAH.</i>

29
00:06:19,796 --> 00:06:21,297
Woman:
<i>HI, SWEETHEART.</i>

30
00:06:21,297 --> 00:06:23,299
Second woman:
<i>HI, AMY LEE.</i>

31
00:06:23,299 --> 00:06:25,801
<i>WHAT ARE YOU</i>
<i>DOING?</i>

32
00:06:25,802 --> 00:06:29,806
<i>I HAVE A NEW</i>
<i>COLORING BOOK.</i>

33
00:06:29,806 --> 00:06:31,808
<i>I SHOULD GET</i>
<i>MORE TOYS OUT THERE.</i>

34
00:06:31,808 --> 00:06:36,312
<i>NO, NO, NO,</i>
<i>SHE'S USUALLY OKAY</i> <i>TO BE LEFT ALONE.</i>

35
00:06:36,312 --> 00:06:39,815
<i>I'M A BIT WORRIED</i>
<i>ABOUT THE BOTTLES.</i>

36
00:06:39,816 --> 00:06:41,818
MAYBE WE SHOULD
TAKE A BREAK, HUH?

37
00:06:41,818 --> 00:06:43,319
SWEETHEART, WE CAN'T
PLAY WITH THOSE

38
00:06:43,319 --> 00:06:45,321
BECAUSE
THEY'RE RUTH'S, OKAY?

39
00:06:45,321 --> 00:06:46,822
DO YOU WANNA COME SIT
ON THE TABLE WITH ME?

40
00:06:46,823 --> 00:06:48,324
- YEAH.
- YEAH.

41
00:06:48,324 --> 00:06:49,825
OH, BABY...

42
00:06:49,826 --> 00:06:51,828
MMM.

43
00:06:51,828 --> 00:06:53,830
DID YOU GET BORED
OUT THERE ALL ALONE?

44
00:06:53,830 --> 00:06:56,332
- MM-HMM.
- IS THAT WHAT HAPPENED?

45
00:06:56,332 --> 00:06:59,335
I HAVE AN IDEA.
HOLD ON.

46
00:06:59,335 --> 00:07:01,337
WHAT HAPPENED
WITH THE COLORING BOOK?

47
00:07:01,337 --> 00:07:02,338
DID YOU GET BORED
WITH THAT?

48
00:07:02,338 --> 00:07:04,340
<i>MM-HMM.</i>

49
00:07:15,351 --> 00:07:16,852
RACHEL?

50
00:07:16,853 --> 00:07:19,355
( rock music playing softly )

51
00:07:19,355 --> 00:07:20,356
( knock on door )

52
00:07:20,356 --> 00:07:21,857
RACHEL!

53
00:07:23,359 --> 00:07:24,860
COULD YOU...?

54
00:07:24,861 --> 00:07:26,863
( knocking louder )

55
00:07:26,863 --> 00:07:28,865
<i>RACHEL!</i>

56
00:07:28,865 --> 00:07:29,866
( knocking )

57
00:07:29,866 --> 00:07:31,367
WHAT?

58
00:07:31,367 --> 00:07:32,868
I DON'T WANT TO HAVE
THIS CONVERSATION

59
00:07:32,869 --> 00:07:35,371
THROUGH THE DOOR.

60
00:07:37,874 --> 00:07:39,876
WHAT ARE YOU DOING?

61
00:07:39,876 --> 00:07:40,877
NOTHING.

62
00:07:40,877 --> 00:07:44,380
OF COURSE.
SINCE YOU'RE DOING NOTHING,

63
00:07:44,380 --> 00:07:45,381
I WANT YOU
TO DO ME A FAVOR.

64
00:07:45,381 --> 00:07:48,384
I'M WITH SOMEONE--
MRS. MILLER.

65
00:07:48,384 --> 00:07:49,885
<i>MY</i> MRS. MILLER?

66
00:07:49,886 --> 00:07:50,887
YES.

67
00:07:50,887 --> 00:07:52,388
WHAT'S SHE
DOING HERE?

68
00:07:52,388 --> 00:07:53,889
SHE'S A CLIENT.

69
00:07:53,890 --> 00:07:56,392
SHE'S
MY ENGLISH TEACHER.

70
00:07:56,392 --> 00:07:57,393
<i>WAS.</i>

71
00:07:57,393 --> 00:07:58,394
SHE WAS
YOUR ENGLISH TEACHER.

72
00:07:58,394 --> 00:08:00,896
YOU DON'T HAVE
TEACHERS ANYMORE.

73
00:08:00,897 --> 00:08:02,899
CAN WE NOT TALK
ABOUT THIS AGAIN?

74
00:08:06,903 --> 00:08:08,905
( uptempo Latin music plays )

75
00:09:03,459 --> 00:09:06,462
Man:
<i>SMELLED LIKE A FRENCH</i> <i>WHOREHOUSE WHEN I GOT THERE.</i>

76
00:09:06,462 --> 00:09:07,963
<i>SMELLS LIKE THE FIRST DAY</i>
<i>OF SPRING NOW.</i>

77
00:09:07,964 --> 00:09:11,467
NO, JUST THE USUAL--
DIRTY MAGAZINES, UNPAID BILLS,

78
00:09:11,467 --> 00:09:14,970
A BARRELFUL OF AMPHETAMINES.
LAWYERS ARE ALL THE SAME.

79
00:09:14,971 --> 00:09:17,473
OH, SOUNDS LIKE ANOTHER CALL.
COULD IT BE LONG DISTANCE?

80
00:09:17,473 --> 00:09:20,476
HOPE HE'S NOT
STILL CALLING COLLECT.

81
00:09:20,476 --> 00:09:21,977
ALL RIGHT, I'LL SEE YOU
AT THE CAFE.

82
00:09:21,978 --> 00:09:22,979
<i>Ciao.</i>

83
00:09:22,979 --> 00:09:24,981
SEE YOU.

84
00:09:24,981 --> 00:09:26,482
( beeping )

85
00:09:28,484 --> 00:09:30,486
YES?

86
00:09:30,486 --> 00:09:32,488
<i>SI.</i>

87
00:09:32,488 --> 00:09:33,989
HOW ARE YOU?

88
00:09:33,990 --> 00:09:38,995
<i>UH, BENE.</i>
<i>GRAZIE.</i>

89
00:09:38,995 --> 00:09:42,498
I MISS YOU, TOO.

90
00:09:42,498 --> 00:09:44,500
<i>SI, SI.</i>

91
00:09:44,500 --> 00:09:45,501
<i>SI.</i>

92
00:09:45,501 --> 00:09:48,003
<i>NO.</i>

93
00:09:48,004 --> 00:09:49,005
<i>CHE?</i>

94
00:09:49,005 --> 00:09:51,507
<i>QUANTO?</i>
<i>I MEAN</i> <i>QUANDO?</i>

95
00:09:53,009 --> 00:09:55,511
WHAT'S THAT?
( static )

96
00:09:55,511 --> 00:10:00,015
LOOK, ROBERTO,
I CAN'T HEAR YOU.

97
00:10:00,016 --> 00:10:02,518
<i>VENIRE...</i> HERE?

98
00:10:04,020 --> 00:10:06,522
<i>SI, SI.</i>
<i>NO,</i> UH--

99
00:10:08,524 --> 00:10:12,027
ROBERTO, NO, WAIT--

100
00:10:12,028 --> 00:10:14,530
<i>ATTENZIONE, ATTEN--</i>

101
00:10:14,530 --> 00:10:16,532
( dial tone )

102
00:10:16,532 --> 00:10:18,033
SHIT.

103
00:10:41,057 --> 00:10:42,558
THERE YOU ARE.

104
00:10:42,558 --> 00:10:45,561
Mrs. Miller:
HI, RACHEL.

105
00:10:45,561 --> 00:10:46,562
HI...

106
00:10:46,562 --> 00:10:47,563
RACHEL.

107
00:10:47,563 --> 00:10:49,064
HOW'RE YOU DOING?

108
00:10:49,065 --> 00:10:51,567
OKAY.

109
00:10:51,567 --> 00:10:54,069
( conversation indistinct )

110
00:11:01,077 --> 00:11:03,079
( knock on door )

111
00:11:04,080 --> 00:11:07,083
( knocking )

112
00:11:07,083 --> 00:11:09,585
YOUR APPOINTMENT'S
HERE.

113
00:11:09,585 --> 00:11:11,587
DR. JACOB?

114
00:11:11,587 --> 00:11:14,089
OH.  UM...

115
00:11:32,608 --> 00:11:34,109
( ringing bell )

116
00:11:45,621 --> 00:11:47,122
HI.

117
00:11:47,123 --> 00:11:49,125
HI.

118
00:11:49,125 --> 00:11:51,627
WHO'S THIS?

119
00:11:51,627 --> 00:11:52,628
<i>OH, HI.</i>

120
00:11:52,628 --> 00:11:56,131
<i>YOU DON'T</i>
<i>REMEMBER ME,</i> <i>DO YOU?</i>

121
00:11:56,132 --> 00:11:58,134
I MADE A CAKE FOR
YOUR LAST BIRTHDAY.

122
00:11:58,134 --> 00:11:59,635
<i>REMEMBER?</i>

123
00:11:59,635 --> 00:12:01,637
<i>LOOKED LIKE</i>
<i>A BIG SPACESHIP?</i>

124
00:12:02,638 --> 00:12:05,641
TWO CANDLES, RIGHT?

125
00:12:05,641 --> 00:12:08,143
<i>OH, BIG GIRL.</i>

126
00:12:09,645 --> 00:12:10,646
WHERE'S YOUR MOMMY?

127
00:12:10,646 --> 00:12:14,149
SHE'S UPSTAIRS
WITH MY MOTHER.

128
00:12:14,150 --> 00:12:15,651
OH.

129
00:12:17,653 --> 00:12:19,154
COME ON.

130
00:12:50,186 --> 00:12:52,188
WILL YOU LOOK
AT THE LIGHT?

131
00:12:52,188 --> 00:12:54,690
JUST LOOK
AT THE LETTER "E" BEHIND ME.

132
00:12:58,694 --> 00:13:01,196
( indistinct )

133
00:13:19,215 --> 00:13:22,218
( footsteps approaching )

134
00:13:30,726 --> 00:13:32,227
NEW CAR?

135
00:13:32,228 --> 00:13:33,729
<i>OH, GOD.</i>

136
00:13:33,729 --> 00:13:35,731
BM-- GERMAN?

137
00:13:35,731 --> 00:13:36,732
MERCEDES.

138
00:13:36,732 --> 00:13:38,233
I HATE IT
WHEN YOU DO THIS.

139
00:13:38,234 --> 00:13:39,235
THE NOSE KNOWS.

140
00:13:39,235 --> 00:13:40,736
YOUR MOTHER
BOUGHT A MERCEDES?

141
00:13:40,736 --> 00:13:42,738
CAN WE DROP THIS,
PLEASE?

142
00:13:42,738 --> 00:13:43,739
ARE YOU READY?

143
00:13:43,739 --> 00:13:44,740
<i>WHAT?</i>

144
00:13:44,740 --> 00:13:46,742
HE'S COMING.
TONIGHT.

145
00:13:46,742 --> 00:13:48,243
<i>CALLED</i>
<i>FROM THE PLANE.</i>

146
00:13:48,244 --> 00:13:50,246
DON'T--
DON'T START.

147
00:13:50,246 --> 00:13:52,248
IT'S NOT LIKE
I TOLD HIM TO COME.

148
00:13:52,248 --> 00:13:53,749
<i>I THOUGHT</i>
<i>WE WERE STILL</i> <i>ON THE PHONE STAGE.</i>

149
00:13:53,749 --> 00:13:54,750
HE'S GONNA
FUCK YOU SILLY,

150
00:13:54,750 --> 00:13:56,752
THEN YOU WON'T BE ABLE
TO MAKE A RATIONAL DECISION

151
00:13:56,752 --> 00:13:58,253
ABOUT WHAT TO DO
WITH HIM.

152
00:13:58,254 --> 00:14:00,756
I'VE ALREADY DECIDED.
I WON'T SLEEP WITH HIM.

153
00:14:00,756 --> 00:14:02,257
I'LL PUT HIM
ON THE COUCH.

154
00:14:02,258 --> 00:14:04,260
THERE WILL BE
NO SEX.

155
00:14:04,260 --> 00:14:06,762
HOW DO YOU KNOW
HE'S NOT A HUSTLER?

156
00:14:06,762 --> 00:14:08,764
I DON'T BELIEVE THIS.

157
00:14:09,765 --> 00:14:10,766
THE ONLY PERSON

158
00:14:10,766 --> 00:14:12,768
YOU CAN IMAGINE
BEING INTERESTED IN ME

159
00:14:12,768 --> 00:14:13,769
IS SOMEONE
I HAVE TO PAY?

160
00:14:13,769 --> 00:14:15,771
I DIDN'T SAY THAT.

161
00:14:15,771 --> 00:14:17,272
THERE ARE
THESE PEOPLE.

162
00:14:17,273 --> 00:14:18,274
THAT'S WHAT THEY DO.

163
00:14:18,274 --> 00:14:20,776
THEY SUCKER IN SOME POOR,
UNSUSPECTING WOMAN--

164
00:14:20,776 --> 00:14:22,277
THAT WOULD BE ME,
I SUPPOSE.

165
00:14:22,278 --> 00:14:23,779
THEY BRING
THEIR GIRLFRIENDS OVER HERE,

166
00:14:23,779 --> 00:14:25,781
GET THEIR WORKING PAPERS,
AND TAKE A POWDER.

167
00:14:25,781 --> 00:14:26,782
IT'S THE OLDEST SCAM
IN THE BOOK.

168
00:14:26,782 --> 00:14:28,283
I SAW IT ON TELEVISION.

169
00:14:28,284 --> 00:14:30,786
HOW DOES HE SMELL?

170
00:14:33,289 --> 00:14:34,790
IF HE LOVES YOU,

171
00:14:34,790 --> 00:14:36,291
YOU WOULD BE ABLE
TO SMELL IT.

172
00:14:37,293 --> 00:14:39,795
WHAT DOES LOVE
SMELL LIKE, ROBERT?

173
00:14:41,297 --> 00:14:43,299
WELL, IT'S KINDA
HARD TO DESCRIBE.

174
00:14:43,299 --> 00:14:44,800
IT'S JUST-- YOU KNOW--

175
00:14:44,800 --> 00:14:46,301
WELL, DID HE <i>SAY</i>
<i>HE LOVES YOU?</i>

176
00:14:48,304 --> 00:14:50,806
ON THE FIRST DATE.

177
00:14:53,809 --> 00:14:55,811
DOES HE HAVE
A RETURN TICKET?

178
00:14:57,313 --> 00:14:58,814
NO--!

179
00:15:06,322 --> 00:15:07,823
NEVER FALL
IN LOVE...

180
00:15:07,823 --> 00:15:10,325
WITH SOMEONE WHO LIVES
MORE THAN A BUS RIDE AWAY,

181
00:15:10,326 --> 00:15:13,329
OR WHO'S UNDER 30, OR
WHO YOU MEET ON HOLIDAY.

182
00:15:13,329 --> 00:15:15,331
I KNOW,
I KNOW.

183
00:15:15,331 --> 00:15:17,833
AND WHAT ELSE
HAVE I TAUGHT YOU?

184
00:15:17,833 --> 00:15:19,334
NEVER FALL IN LOVE
WITH SOMEONE

185
00:15:19,335 --> 00:15:20,336
WHO'S NEVER BEEN
IN LOVE...

186
00:15:20,336 --> 00:15:22,338
NEVER WITH SOMEONE
WHO'S NEVER BEEN DUMPED,

187
00:15:22,338 --> 00:15:24,840
OR DRINKS
TOO MUCH...

188
00:15:24,840 --> 00:15:27,342
OR DOESN'T DRINK AT ALL--
SO SELF-RIGHTEOUS--

189
00:15:27,343 --> 00:15:28,344
OR LIES,

190
00:15:28,344 --> 00:15:30,846
OR CRIES TOO MUCH.

191
00:15:30,846 --> 00:15:32,848
JACK, EX-MARINE,
WAS A NIGHTMARE.

192
00:15:32,848 --> 00:15:35,350
NEVER FALL IN LOVE
WITH SOMEONE WHO'S TOO GOOD-LOOKING.

193
00:15:35,351 --> 00:15:36,852
THAT'S NEW.
WHY?

194
00:15:36,852 --> 00:15:39,354
BECAUSE YOU LOOK
LIKE SHIT NEXT TO THEM.

195
00:15:39,355 --> 00:15:40,356
I HAVE A NEW ONE:

196
00:15:40,356 --> 00:15:41,857
NEVER FALL IN LOVE
WITH SOMEONE

197
00:15:41,857 --> 00:15:43,358
WHO WON'T LET YOU
GO DOWN ON THEM.

198
00:15:43,359 --> 00:15:44,360
WHAT'S THAT?

199
00:15:44,360 --> 00:15:45,361
I DON'T KNOW.
BEATS ME.

200
00:15:45,361 --> 00:15:47,863
NEVER FALL IN LOVE
WITH SOMEONE

201
00:15:47,863 --> 00:15:49,364
WHO'S LOUSY IN BED.
PERIOD.

202
00:15:49,365 --> 00:15:51,867
NEVER FALL IN LOVE
WITH SOMEONE WHO'S TOO GOOD IN BED.

203
00:15:51,867 --> 00:15:53,869
<i>THAT'S THE BEST THING</i>
<i>ABOUT HIM.</i>

204
00:15:53,869 --> 00:15:55,871
WELL, IT SHOULD MAKE YOU
VERY SUSPICIOUS.

205
00:15:58,374 --> 00:16:00,876
SO WHERE
DOES THAT LEAVE ME?

206
00:16:00,876 --> 00:16:02,377
HONEY,

207
00:16:02,378 --> 00:16:04,380
YOU DON'T EVEN SPEAK
THE SAME LANGUAGE.

208
00:16:14,890 --> 00:16:16,892
Mrs. Miller, drowsily:
MMM, THAT'S SO GOOD.

209
00:16:16,892 --> 00:16:18,894
SORRY?

210
00:16:18,894 --> 00:16:21,396
WHATEVER YOU'RE DOING,
IT'S REALLY GREAT.

211
00:16:26,402 --> 00:16:28,404
HOW'S RACHEL DOING?

212
00:16:28,404 --> 00:16:30,906
FINE.
WELL...

213
00:16:30,906 --> 00:16:32,908
I DON'T KNOW
REALLY.

214
00:16:35,411 --> 00:16:37,413
SHE IS A REALLY
SMART KID.

215
00:16:38,914 --> 00:16:41,917
SHE'LL SURVIVE WHATEVER
SHE'S GOING THROUGH.

216
00:16:41,917 --> 00:16:43,418
SHE'LL SURVIVE...

217
00:16:43,419 --> 00:16:44,920
BUT WILL I?

218
00:16:53,929 --> 00:16:55,430
( child humming )

219
00:18:11,006 --> 00:18:13,008
( twig snaps )

220
00:18:29,525 --> 00:18:32,027
CALL ME IF YOU
WANNA SEE MORE STUFF.

221
00:18:32,027 --> 00:18:34,029
I KNOW SOMETHING GOOD.

222
00:18:44,022 --> 00:18:46,024
WHY DO YOU
HAVE A KEY?

223
00:18:46,024 --> 00:18:47,525
I'VE BEEN WORKING
FOR THEM FOR OVER A YEAR.

224
00:18:47,526 --> 00:18:49,528
CAREFUL, IT HASN'T
HARDENED YET.

225
00:18:49,528 --> 00:18:51,530
- WHERE'S THE KITCHEN?
- STRAIGHT THROUGH.

226
00:19:05,043 --> 00:19:06,044
HEY...

227
00:19:06,044 --> 00:19:07,045
WHAT?

228
00:19:07,045 --> 00:19:09,047
THIS IS NICER THAN THE CAKE
YOU MADE FOR MY BIRTHDAY.

229
00:19:09,047 --> 00:19:11,049
I WASN'T BEING PAID

230
00:19:11,049 --> 00:19:13,051
TO MAKE A CAKE
FOR YOUR BIRTHDAY.

231
00:19:16,555 --> 00:19:17,556
IS THIS THEM?

232
00:19:18,557 --> 00:19:19,558
YEAH.

233
00:19:19,558 --> 00:19:21,560
VERY ATTRACTIVE.

234
00:19:21,560 --> 00:19:24,563
HOW COME YOU NEVER
MENTIONED THEM BEFORE?

235
00:19:24,563 --> 00:19:27,065
I DON'T KNOW.
THEY'RE JUST CLIENTS.

236
00:19:29,568 --> 00:19:31,069
HE'S PRETTY CUTE.

237
00:19:35,073 --> 00:19:37,575
I'VE ALWAYS WONDERED
WHAT IT WOULD BE LIKE

238
00:19:37,576 --> 00:19:38,577
TO DO WHAT YOU DO.

239
00:19:44,082 --> 00:19:47,085
- <i>WE SHOULD GO.</i>
<i>- HOLD ON.</i>

240
00:19:50,589 --> 00:19:52,591
WE SHOULD GO.

241
00:19:52,591 --> 00:19:55,093
YOU'RE NOT
THE BOSS OF ME.

242
00:19:55,093 --> 00:19:57,595
NICE.

243
00:19:57,596 --> 00:19:59,598
SHE DESIGNS
FRAGRANCES.

244
00:19:59,598 --> 00:20:01,099
WHAT ABOUT HIM?

245
00:20:01,099 --> 00:20:03,101
HE'S IN ADVERTISING.
WHAT ABOUT HIM?

246
00:20:03,101 --> 00:20:04,102
HE'S CUTE.

247
00:20:04,102 --> 00:20:05,603
YOU SAID THAT
ALREADY.

248
00:20:05,604 --> 00:20:06,605
YOU HAVE
A CRUSH ON HIM.

249
00:20:08,607 --> 00:20:10,609
DON'T YOU HAVE
AN ITALIAN TO PICK UP

250
00:20:10,609 --> 00:20:12,110
AT THE AIRPORT?

251
00:20:27,125 --> 00:20:29,627
IT'S PRETTY MUCH
WHAT WE EXPECTED.

252
00:20:29,628 --> 00:20:32,130
IT'S GETTING WORSE.

253
00:20:32,130 --> 00:20:34,632
SOMETIMES SOUNDS
DRIFT IN AND OUT.

254
00:20:34,633 --> 00:20:36,635
SOMETIMES I
DON'T HEAR ANYTHING.

255
00:20:36,635 --> 00:20:38,136
MM-HMM.

256
00:20:38,136 --> 00:20:41,139
SHOULD I GIVE AWAY
MY OPERA TICKETS?

257
00:20:42,641 --> 00:20:44,142
RICHARD...

258
00:20:46,144 --> 00:20:47,645
GETTING
SEASON'S TICKETS

259
00:20:47,646 --> 00:20:49,147
WAS ONE OF THE FIRST
THINGS I DID

260
00:20:49,147 --> 00:20:50,648
WHEN I MOVED HERE.

261
00:20:52,150 --> 00:20:54,652
SEVENTH ROW,
LEFT AISLE.

262
00:20:58,156 --> 00:21:00,658
I'VE SAT IN THE SAME SEAT
NEXT TO THE SAME PEOPLE

263
00:21:00,659 --> 00:21:02,661
EVERY YEAR
FOR EIGHT YEARS.

264
00:21:05,664 --> 00:21:07,666
SOMETIMES I FEEL
LIKE I KNOW THEM

265
00:21:07,666 --> 00:21:09,167
BETTER THAN ANYONE.

266
00:21:57,215 --> 00:21:58,716
HEY.

267
00:22:00,218 --> 00:22:01,719
WHERE'S AMY LEE?

268
00:22:03,221 --> 00:22:05,723
I DON'T KNOW.

269
00:22:05,724 --> 00:22:07,225
I CAN'T FIND HER.

270
00:22:07,225 --> 00:22:09,727
I JUST TURNED AROUND
FOR A SECOND AND--

271
00:22:17,736 --> 00:22:19,738
( ringing insistently )

272
00:22:19,738 --> 00:22:22,240
OH, I THOUGHT
I HEARD YOU COME IN.

273
00:22:23,241 --> 00:22:25,243
IS SOMETHING WRONG?

274
00:22:25,243 --> 00:22:26,244
RACHEL?

275
00:22:45,764 --> 00:22:47,766
AMY!

276
00:22:50,769 --> 00:22:52,771
AMY LEE!

277
00:22:56,274 --> 00:22:57,775
AMY!

278
00:23:54,332 --> 00:23:57,335
Ruth:
<i>NO, IT JUST HAPPENED</i> <i>ABOUT HALF AN HOUR AGO.</i>

279
00:23:57,335 --> 00:23:59,337
<i>HER MOTHER'S IN THE PARK</i>
<i>LOOKING FOR HER.</i>

280
00:23:59,337 --> 00:24:00,838
<i>THAT'S RIGHT.</i>

281
00:24:00,839 --> 00:24:01,840
<i>YES.</i>

282
00:24:01,840 --> 00:24:03,341
WE'LL MEET YOU AT--
AT THE GATES.

283
00:24:03,341 --> 00:24:05,343
THANK YOU.

284
00:24:05,343 --> 00:24:06,344
THE POLICE WILL BE HERE
IN A MINUTE.

285
00:24:06,344 --> 00:24:07,845
WE BETTER GO HELP
LOOK FOR HER.

286
00:24:07,846 --> 00:24:09,848
WHAT ON EARTH
WERE YOU THINKING?

287
00:24:09,848 --> 00:24:11,850
WHAT IS THE MATTER
WITH YOU?

288
00:24:34,873 --> 00:24:36,374
( buzzing )

289
00:25:20,418 --> 00:25:22,920
( surf pounding )

290
00:25:30,428 --> 00:25:31,929
( seagulls calling )

291
00:25:50,949 --> 00:25:52,450
( bell clangs )

292
00:25:55,954 --> 00:25:58,456
( bell clanging )

293
00:26:00,458 --> 00:26:02,460
( surf roars )

294
00:26:04,462 --> 00:26:05,963
( silence )

295
00:26:10,468 --> 00:26:12,470
CANCEL ALL OF TODAY'S
APPOINTMENTS,

296
00:26:12,470 --> 00:26:14,472
AND FOR THE NEXT
TWO WEEKS.

297
00:26:14,472 --> 00:26:17,475
I'LL PAY YOU FOR THE TIME,
BUT DON'T BOTHER COMING IN.

298
00:26:17,475 --> 00:26:18,976
THERE ARE THINGS
I HAVE TO DO.

299
00:26:18,977 --> 00:26:21,479
( siren approaching )

300
00:26:51,509 --> 00:26:54,512
I WAS REALLY SURPRISED
TO HEAR FROM YOU.

301
00:26:54,512 --> 00:26:57,014
WELL, IT'S BEEN
A LONG TIME.

302
00:26:57,015 --> 00:26:59,517
SO...

303
00:26:59,517 --> 00:27:01,018
HOW ARE THINGS?

304
00:27:01,019 --> 00:27:04,022
OH, YOU KNOW.
LIFE IN THE FAST LANE.

305
00:27:05,523 --> 00:27:07,525
THAT'S A NICE WATCH.

306
00:27:07,525 --> 00:27:09,527
YEAH.
I JUST GOT IT.

307
00:27:16,534 --> 00:27:18,035
ARE YOU ALL RIGHT?

308
00:27:19,037 --> 00:27:20,038
WELL...
ACTUALLY,

309
00:27:20,038 --> 00:27:21,539
A LITTLE
UP AND DOWN.

310
00:27:21,539 --> 00:27:23,541
NO, I MEAN...

311
00:27:23,541 --> 00:27:25,543
I MEAN,
ARE YOU ALL RIGHT?

312
00:27:25,543 --> 00:27:27,545
OH, GREAT.

313
00:27:27,545 --> 00:27:29,547
IF THERE'S SOMETHING
YOU WANNA TELL ME,

314
00:27:29,547 --> 00:27:30,548
IF YOU NEED TO--
IF YOU WANT--

315
00:27:30,548 --> 00:27:32,049
I JUST WANTED
TO SEE YOU AGAIN.

316
00:27:32,050 --> 00:27:33,051
<i>IS THAT SO HARD</i>
<i>TO BELIEVE?</i>

317
00:27:33,051 --> 00:27:34,552
NO, I JUST...

318
00:27:34,552 --> 00:27:36,554
LOOK,
I'M NOT SICK.

319
00:27:36,554 --> 00:27:39,056
YOU'RE SAFE, OKAY?
AT LEAST FROM ME.

320
00:27:39,057 --> 00:27:41,059
<i>THANKS</i>
<i>FOR YOUR CONCERN.</i>

321
00:27:41,059 --> 00:27:43,061
I'M SORRY.
I DIDN'T MEAN TO...

322
00:27:47,065 --> 00:27:48,566
UHH...

323
00:27:48,566 --> 00:27:50,067
SO HOW'S
THE CLEANING BUSINESS?

324
00:27:50,068 --> 00:27:52,070
( siren approaching )

325
00:28:24,602 --> 00:28:26,103
EXCUSE ME.

326
00:28:26,104 --> 00:28:27,605
I'M SUPPOSED TO MEET
SOMEONE HERE,

327
00:28:27,605 --> 00:28:29,106
AND I DON'T KNOW
WHERE TO FIND THEM.

328
00:28:29,107 --> 00:28:30,108
WE CAN PAGE THEM
FOR YOU.

329
00:28:30,108 --> 00:28:31,609
WHERE ARE THEY
ARRIVING FROM?

330
00:28:31,609 --> 00:28:32,610
MILAN.

331
00:28:32,610 --> 00:28:35,613
AIR ITALIA FLIGHT 309.

332
00:28:35,613 --> 00:28:36,614
<i>OH.</i>

333
00:28:36,614 --> 00:28:39,617
THAT FLIGHT WON'T
BE HERE FOR ANOTHER...

334
00:28:39,617 --> 00:28:40,618
THREE HOURS.

335
00:28:40,618 --> 00:28:42,119
WHAT?

336
00:28:42,120 --> 00:28:44,622
OVERBOOKED RUNWAYS.
IT HAPPENS.

337
00:28:44,622 --> 00:28:45,623
FUCK!

338
00:28:47,125 --> 00:28:48,626
SORRY.

339
00:28:48,626 --> 00:28:51,629
Newscaster:
<i>...a three year old</i> <i>earlier this afternoon.</i>

340
00:28:51,629 --> 00:28:53,631
<i>A search of the area</i>
<i>is continuing,</i>

341
00:28:53,631 --> 00:28:56,133
<i>but the investigation</i>
<i>is now expected to broaden.</i>

342
00:28:56,134 --> 00:28:58,136
Two witnesses
have come forward

343
00:28:58,136 --> 00:29:00,638
saying that they saw a man
dragging a young girl

344
00:29:00,638 --> 00:29:02,640
matching Amy Lee Miller's
description

345
00:29:02,640 --> 00:29:06,143
out of the park around
the time of the disappearance.

346
00:29:06,144 --> 00:29:08,146
HI, MOM?

347
00:29:08,146 --> 00:29:10,148
NO, IT'S DELAYED.

348
00:29:10,148 --> 00:29:12,150
THREE HOURS.

349
00:29:12,150 --> 00:29:14,152
NO, I'M FINE.

350
00:29:15,653 --> 00:29:18,656
I SOUND TENSE BECAUSE
YOU'RE MAKING ME TENSE.

351
00:30:03,201 --> 00:30:05,203
WHERE THE HELL
HAVE YOU BEEN?

352
00:30:05,203 --> 00:30:07,705
THE POLICE WANTED
TO TALK TO YOU.

353
00:30:07,705 --> 00:30:10,708
<i>IN CASE</i>
<i>YOU'RE INTERESTED,</i>

354
00:30:10,708 --> 00:30:13,711
<i>THEY DID</i> NOT
<i>FIND HER.</i>

355
00:30:13,711 --> 00:30:17,214
THEY'VE BEEN SCOURING
THE NEIGHBORHOOD ALL NIGHT.

356
00:30:17,215 --> 00:30:20,718
SOMEONE THINKS THEY SAW HER
BEING PICKED UP BY A MAN.

357
00:30:20,718 --> 00:30:22,720
<i>RACHEL...</i>

358
00:30:22,720 --> 00:30:24,722
<i>WHAT HAPPENED?</i>

359
00:30:26,724 --> 00:30:28,726
I DON'T KNOW.

360
00:30:29,727 --> 00:30:32,229
I DON'T EVEN KNOW
WHAT TO SAY TO YOU.

361
00:30:42,240 --> 00:30:44,242
( voices speaking French )

362
00:31:34,292 --> 00:31:35,793
THANKS.

363
00:31:37,795 --> 00:31:40,798
SO, ARE YOU
SEEING ANYBODY?

364
00:31:40,798 --> 00:31:43,300
I'VE BEEN SEEING
A FEW PEOPLE.

365
00:31:43,301 --> 00:31:45,303
QUITE A FEW,
ACTUALLY.

366
00:31:45,303 --> 00:31:46,804
MAINLY FROM THE GYM,
BUT, UM...

367
00:31:46,804 --> 00:31:48,806
I FIND THE GUYS
I MEET IN THE GYM

368
00:31:48,806 --> 00:31:50,307
ARE ALL REALLY
GOOD-LOOKING,

369
00:31:50,308 --> 00:31:52,310
AND THE SEX WITH THEM
IS GREAT AND EVERYTHING,

370
00:31:52,310 --> 00:31:53,311
BUT...

371
00:31:53,311 --> 00:31:56,314
I KEEP THINKING
ABOUT YOU BECAUSE...

372
00:31:56,314 --> 00:31:58,316
WELL...

373
00:31:58,316 --> 00:31:59,817
I LIKE THE FACT
THAT OUR RELATIONSHIP

374
00:31:59,817 --> 00:32:01,819
REALLY WASN'T
ABOUT SEX AT ALL.

375
00:32:01,819 --> 00:32:02,820
YOU KNOW WHAT I MEAN?

376
00:32:02,820 --> 00:32:04,321
WELL...

377
00:32:04,322 --> 00:32:06,824
I THOUGHT THE SEX
WAS PRETTY GOOD, ACTUALLY.

378
00:32:06,824 --> 00:32:09,326
REALLY?

379
00:32:09,327 --> 00:32:12,330
OR... NOT.

380
00:32:12,330 --> 00:32:13,831
WHAT'S THAT...

381
00:32:13,831 --> 00:32:15,833
COLOGNE
YOU'RE WEARING?

382
00:32:15,833 --> 00:32:17,334
DO YOU LIKE IT?

383
00:32:17,335 --> 00:32:18,336
UH... SURE.
IT'S JUST...

384
00:32:18,336 --> 00:32:20,338
YOU KNOW, THE THING
ABOUT COLOGNE IS

385
00:32:20,338 --> 00:32:22,340
YOU CAN'T TELL
WHAT A PERSON

386
00:32:22,340 --> 00:32:23,841
REALLY SMELLS LIKE.

387
00:32:23,841 --> 00:32:24,341
WELL...

388
00:32:24,342 --> 00:32:26,344
IT SWEATS RIGHT OFF.

389
00:32:28,846 --> 00:32:30,347
OH.

390
00:32:41,859 --> 00:32:44,862
( man and woman approach
laughing, speaking Italian )

391
00:32:57,375 --> 00:33:00,378
AMORE, CIAO.

392
00:33:00,378 --> 00:33:01,379
<i>E SIMPATICA.</i>

393
00:33:01,379 --> 00:33:02,380
UH-HUH.

394
00:33:02,380 --> 00:33:04,382
( speaking Italian )

395
00:33:20,898 --> 00:33:22,900
I JUST TOLD ROBERTO
I MUST GO NOW,

396
00:33:22,900 --> 00:33:24,902
...BUT IT WAS
VERY NICE TO MEET YOU.

397
00:33:24,902 --> 00:33:25,903
TAKE CARE.

398
00:33:25,903 --> 00:33:27,404
CIAO, BELLO.

399
00:33:30,408 --> 00:33:32,410
<i>AMORE...</i>

400
00:33:32,410 --> 00:33:33,911
( speaking Italian )

401
00:33:38,916 --> 00:33:40,918
( airliner flies overhead )

402
00:34:50,938 --> 00:34:53,440
( rumbling, whining,
thumping )

403
00:35:02,950 --> 00:35:04,451
I...

404
00:35:04,452 --> 00:35:06,454
ran out to the park
thinking, you know,

405
00:35:06,454 --> 00:35:08,956
that she...

406
00:35:08,956 --> 00:35:11,458
that she would just
be there...

407
00:35:13,461 --> 00:35:15,463
( crying )

408
00:35:20,968 --> 00:35:22,970
SHE WANTS TO TALK
TO YOU NOW.

409
00:35:32,980 --> 00:35:33,981
IT'S MY FAULT.

410
00:35:36,484 --> 00:35:39,487
I LEFT HER ALONE.
I DIDN'T...

411
00:35:39,487 --> 00:35:42,490
IT WASN'T FOR VERY LONG,
BUT I LEFT HER ALONE.

412
00:35:44,992 --> 00:35:46,994
WHATEVER HAPPENED TO HER
IS MY FAULT.

413
00:35:47,995 --> 00:35:50,998
DOESN'T REALLY MATTER
WHOSE FAULT IT IS RIGHT NOW.

414
00:35:50,998 --> 00:35:53,000
WE JUST HAVE TO TRY
AND FIND HER.

415
00:36:04,011 --> 00:36:05,512
HEY...

416
00:36:07,515 --> 00:36:10,518
SHE'S RIGHT,
YOU KNOW.

417
00:36:10,518 --> 00:36:11,519
ABOUT WHAT?

418
00:36:11,519 --> 00:36:14,021
IT DOESN'T MATTER
WHOSE FAULT IT WAS.

419
00:36:15,523 --> 00:36:16,524
I DON'T BLAME YOU.

420
00:36:16,524 --> 00:36:19,026
IF ANYTHING HAPPENS
TO THAT LITTLE GIRL,

421
00:36:19,026 --> 00:36:20,527
YOU WILL.

422
00:36:20,528 --> 00:36:21,529
I KNOW HOW YOU FEEL.

423
00:36:22,530 --> 00:36:24,031
NO, YOU DON'T!

424
00:36:25,032 --> 00:36:26,533
YOU THINK
I'M A FREAK!

425
00:36:26,534 --> 00:36:30,037
<i>I CAN TELL</i>
<i>WHEN YOU LOOK AT ME.</i>

426
00:36:39,547 --> 00:36:40,548
I'M GONNA GO

427
00:36:40,548 --> 00:36:42,550
TO ANNA MILLER'S HOUSE
THIS AFTERNOON.

428
00:36:42,550 --> 00:36:44,552
I THINK YOU SHOULD
COME WITH ME.

429
00:36:46,053 --> 00:36:48,555
I CAN'T. I'M WORKING
WITH THE OLD PEOPLE.

430
00:36:48,556 --> 00:36:51,058
I THINK YOU SHOULD
COME WITH ME.

431
00:36:52,059 --> 00:36:53,560
WHAT MAKES YOU THINK

432
00:36:53,561 --> 00:36:55,563
THAT SHE WOULD WANT
TO SEE ME?

433
00:37:01,068 --> 00:37:02,569
Newscaster:
<i>One day after</i> <i>the disappearance</i>

434
00:37:02,570 --> 00:37:04,572
<i>of Amy Lee Miller,</i>
<i>there are still no clues</i>

435
00:37:04,572 --> 00:37:06,073
as to her whereabouts.

436
00:37:06,073 --> 00:37:08,575
<i>Anna Miller spent the morning</i>
<i>with the police</i>

437
00:37:08,576 --> 00:37:11,078
<i>on efforts to coordinate</i>
<i>a citywide search.</i>

438
00:37:11,078 --> 00:37:12,579
<i>the mother</i>
<i>of the three year old,</i>

439
00:37:12,580 --> 00:37:14,582
<i>speaking at a press conference</i>
<i>earlier this morning,</i>

440
00:37:14,582 --> 00:37:16,584
<i>asked the public</i>
<i>to come forward</i>

441
00:37:16,584 --> 00:37:17,585
<i>with any information.</i>

442
00:37:17,585 --> 00:37:19,587
<i>AMORE...</i>

443
00:37:19,587 --> 00:37:21,589
( speaking Italian )

444
00:37:37,605 --> 00:37:39,106
<i>SI.</i>

445
00:37:45,112 --> 00:37:47,614
( continuing in Italian )

446
00:37:50,618 --> 00:37:52,620
<i>...OKAY?</i>

447
00:38:03,631 --> 00:38:05,633
( speaking Italian )

448
00:38:08,135 --> 00:38:10,137
UH, NO, NO.
NOT NOW.

449
00:38:10,137 --> 00:38:12,639
<i>AMORE...</i>
<i>SI.</i>

450
00:38:21,649 --> 00:38:22,650
IT'S GOOD.

451
00:38:22,650 --> 00:38:24,151
<i>BUONO, EH?</i>

452
00:38:24,151 --> 00:38:26,153
YOU'RE NOT
JUST MILKING ME

453
00:38:26,153 --> 00:38:29,156
TO STAY IN THE COUNTRY,
ARE YOU?

454
00:38:29,156 --> 00:38:30,657
'CAUSE IF YOU ARE,
THAT WOULD BE REALLY SHITTY.

455
00:38:34,161 --> 00:38:36,663
I HAVE TO WORK.
<i>LABORO.</i>

456
00:38:36,664 --> 00:38:39,166
<i>LABORO, LABORO.</i>
<i>SIEMPRE LABORO.</i>

457
00:38:52,179 --> 00:38:54,181
THEY DON'T
HAVE TO TA--

458
00:38:55,182 --> 00:38:58,685
( haltingly )
SAPORE NON IMPORTANTE.

459
00:38:58,686 --> 00:39:00,187
THEY JUST HAVE
TO LOOK GOOD.

460
00:39:00,187 --> 00:39:01,188
<i>NO.</i>

461
00:39:01,188 --> 00:39:02,689
<i>SAPORE</i>
<i>MOLTO IMPORTANTE.</i>

462
00:39:02,690 --> 00:39:04,692
( speaking Italian )

463
00:39:05,693 --> 00:39:06,694
<i>NON E UNA SCULTURA.</i>

464
00:39:06,694 --> 00:39:09,196
<i>E UN DOLCE,</i>
<i>DESSERT.</i>

465
00:39:20,708 --> 00:39:23,210
( singing within )

466
00:39:56,243 --> 00:39:58,245
EXCUSE ME?

467
00:39:58,245 --> 00:39:59,246
ARE YOU ALL RIGHT?

468
00:40:03,250 --> 00:40:05,252
DR. JACOB?

469
00:40:06,754 --> 00:40:08,756
OH, I'M SORRY!

470
00:40:15,262 --> 00:40:17,264
SHE SINGS BEAUTIFULLY,
DOESN'T SHE?

471
00:40:17,264 --> 00:40:20,267
YEAH.

472
00:40:20,267 --> 00:40:21,768
I'VE NEVER SEEN HER.
HAVE YOU?

473
00:40:23,270 --> 00:40:24,771
NO, I HAVEN'T.

474
00:40:27,274 --> 00:40:28,775
UM...

475
00:40:28,776 --> 00:40:30,277
I WANTED TO ASK
YOU SOMETHING.

476
00:40:30,277 --> 00:40:32,279
YES?

477
00:40:32,279 --> 00:40:33,780
IT'S ABOUT RACHEL.

478
00:40:33,781 --> 00:40:35,282
DO YOU THINK

479
00:40:35,282 --> 00:40:36,783
THAT THERE'S SOMETHING
WRONG WITH HER?

480
00:40:36,784 --> 00:40:38,285
I DON'T MEAN
PHYSICALLY.  I...

481
00:40:40,788 --> 00:40:42,790
YOU'RE A DOCTOR.
I THOUGHT MAYBE...

482
00:40:42,790 --> 00:40:46,293
I MEAN, I KNOW YOU'RE
NOT THAT KIND OF DOCTOR.

483
00:40:46,293 --> 00:40:47,794
I JUST...

484
00:40:49,296 --> 00:40:51,298
I'M SORRY.

485
00:40:52,299 --> 00:40:54,301
I'M SURE
SHE'LL BE FINE.

486
00:41:06,313 --> 00:41:08,315
"AS SOON AS I HEARD
THE RUMBLE

487
00:41:08,315 --> 00:41:10,817
OF THE FIRST TRAM CAR,

488
00:41:10,818 --> 00:41:13,320
I COULD TELL WHETHER
IT WAS HEAVY WITH RAIN

489
00:41:13,320 --> 00:41:15,822
OR SETTING FORTH
INTO THE BLUE.

490
00:41:17,324 --> 00:41:20,327
HAVING PREPARED MY EYES
BEHIND THOSE SHUT LIDS

491
00:41:20,327 --> 00:41:21,828
TO BE DAZZLED,

492
00:41:21,829 --> 00:41:23,330
I WOULD AWAKE FINALLY

493
00:41:23,330 --> 00:41:25,332
AMID DEAFENING STRAINS
OF MUSIC.

494
00:41:27,334 --> 00:41:29,836
IT WAS IN FACT
PRINCIPALLY FROM MY BEDROOM

495
00:41:29,837 --> 00:41:31,839
THAT I TOOK IN THE LIFE
OF THE OUTER WORLD

496
00:41:31,839 --> 00:41:33,340
DURING THIS PERIOD."

497
00:41:33,340 --> 00:41:35,342
RACHEL...

498
00:41:36,343 --> 00:41:37,844
YES?

499
00:41:37,845 --> 00:41:39,847
YOU ALL RIGHT,
RACHEL?

500
00:41:42,349 --> 00:41:44,351
( sniffling )

501
00:41:45,352 --> 00:41:46,853
COME HERE.

502
00:41:57,364 --> 00:41:59,366
( speaking German )

503
00:42:05,873 --> 00:42:08,375
<i>...BESSER?</i>

504
00:42:11,879 --> 00:42:13,380
<i>JA...</i>

505
00:42:13,380 --> 00:42:15,382
<i>...BESSER.</i>

506
00:42:24,892 --> 00:42:26,894
( doorbell rings )

507
00:42:29,396 --> 00:42:31,398
HI.
COME ON IN.

508
00:42:35,402 --> 00:42:36,403
HI.

509
00:42:36,403 --> 00:42:37,904
THANKS FOR GIVING UP
YOUR SATURDAY.

510
00:42:37,905 --> 00:42:39,406
NO PROBLEM.

511
00:42:39,406 --> 00:42:40,907
WE LIKE
HAVING PARTIES,

512
00:42:40,908 --> 00:42:42,910
BUT WE FORGET SOMETIMES
HOW MUCH WORK IT IS.

513
00:42:42,910 --> 00:42:44,912
WHAT'S THIS PARTY
FOR AGAIN?

514
00:42:44,912 --> 00:42:45,913
<i>VERY FUNNY.</i>

515
00:42:45,913 --> 00:42:47,915
IT'S MY BIRTHDAY.

516
00:42:47,915 --> 00:42:49,917
I KNOW.
I SAW THE CAKE.

517
00:42:49,917 --> 00:42:50,417
OH, YEAH.

518
00:42:50,417 --> 00:42:51,918
WHY DON'T YOU
COME TONIGHT?

519
00:42:51,919 --> 00:42:54,421
OH, THAT'S NICE,
BUT I CAN'T.

520
00:42:54,421 --> 00:42:55,922
I'VE GOT PLANS.

521
00:42:55,923 --> 00:42:56,924
THAT'S TOO BAD.

522
00:42:56,924 --> 00:42:59,426
DON'T WORRY, I'LL STILL BE
HERE TOMORROW TO CLEAN UP.

523
00:42:59,426 --> 00:43:00,927
IS THAT A PROBLEM?

524
00:43:00,928 --> 00:43:03,430
NO, I'D LOVE TO.

525
00:43:03,430 --> 00:43:04,431
I MEAN... IT'S FINE.

526
00:43:06,934 --> 00:43:07,935
WELL, I'VE GOT TO GO.

527
00:43:14,441 --> 00:43:15,942
SEE YOU LATER.

528
00:43:24,952 --> 00:43:26,954
SO FUNNY...

529
00:43:27,955 --> 00:43:28,956
WHAT?

530
00:43:28,956 --> 00:43:30,958
RAYMOND.

531
00:43:30,958 --> 00:43:32,960
HE HAS A CRUSH
ON YOU.

532
00:43:32,960 --> 00:43:34,461
CAN'T YOU TELL?

533
00:43:34,461 --> 00:43:35,462
WHAT?
NO.

534
00:43:35,462 --> 00:43:36,463
REALLY?

535
00:43:36,463 --> 00:43:37,964
OH, YEAH.

536
00:43:37,965 --> 00:43:39,466
IT'S SO OBVIOUS.

537
00:43:39,466 --> 00:43:40,967
WHAT?

538
00:43:40,968 --> 00:43:42,970
REALLY?
HOW?

539
00:43:42,970 --> 00:43:45,973
WELL, NOT SEXUALLY,
NECESSARILY.

540
00:43:47,474 --> 00:43:49,476
OH, NO, NO.
OF COURSE NOT.

541
00:43:49,476 --> 00:43:50,477
I WASN'T
THINKING THAT.

542
00:43:50,477 --> 00:43:52,479
WELL,
IT MAKES SENSE.

543
00:43:52,479 --> 00:43:53,980
YOU'RE NICE,

544
00:43:53,981 --> 00:43:55,482
YOU'RE FUNNY...

545
00:43:55,482 --> 00:43:57,484
HE DOESN'T HAVE
A LOT OF MEN FRIENDS.

546
00:43:57,484 --> 00:44:00,487
WELL, I WOULDN'T CALL
THAT A CRUSH, REALLY.

547
00:44:03,490 --> 00:44:05,492
YOU KNOW...

548
00:44:05,492 --> 00:44:07,494
YOU HAVE ABOUT
30 CLEANSERS HERE

549
00:44:07,494 --> 00:44:09,496
THAT YOU DON'T NEED.
YOU ONLY NEED FIVE.

550
00:44:09,496 --> 00:44:11,498
WINDOW SPRAY,
A DISHWASHING DETERGENT,

551
00:44:11,498 --> 00:44:14,000
CREAM CLEANSER,
A COMBINED SURFACE, FLOOR AND TILE CLEANER,

552
00:44:14,001 --> 00:44:15,502
AND A DISINFECTANT.

553
00:44:18,505 --> 00:44:19,506
WELL,
YOU KNOW...

554
00:44:19,506 --> 00:44:21,007
THE BOTTLES ARE NICE.

555
00:44:22,509 --> 00:44:24,010
THANKS.

556
00:44:24,011 --> 00:44:26,513
( music playing )

557
00:44:45,532 --> 00:44:47,534
( footsteps receding )

558
00:44:47,534 --> 00:44:49,035
RONA?

559
00:44:49,036 --> 00:44:50,037
( door closes )

560
00:44:50,037 --> 00:44:52,039
RONA?

561
00:44:55,042 --> 00:44:56,543
RONA?

562
00:45:08,555 --> 00:45:10,056
THANKS FOR THE CAR.

563
00:45:10,057 --> 00:45:11,558
HOW'S IT DRIVING?

564
00:45:11,558 --> 00:45:13,560
GOOD.

565
00:45:13,560 --> 00:45:15,562
I DON'T KNOW WHY
I BOUGHT IT.

566
00:45:15,562 --> 00:45:17,564
I WON'T BE ABLE
TO DRIVE IT MUCH LONGER.

567
00:45:19,566 --> 00:45:21,568
MAYBE YOU
SHOULD KEEP IT.

568
00:45:21,568 --> 00:45:23,570
MOM, PLEASE.

569
00:45:23,570 --> 00:45:26,573
WE SHOULD BE ABLE
TO TALK ABOUT THESE THINGS.

570
00:45:26,573 --> 00:45:28,074
FINE.

571
00:45:29,076 --> 00:45:31,578
TREATMENT'S NOT
MAKING ME SO SICK

572
00:45:31,578 --> 00:45:32,579
IN THE MORNINGS
ANYMORE.

573
00:45:32,579 --> 00:45:35,081
MAYBE I'M GETTING
USED TO IT.

574
00:45:35,082 --> 00:45:36,583
CAN I GET YOU SOME
TEA OR SOMETHING?

575
00:45:36,583 --> 00:45:38,585
NO. SIT.

576
00:45:45,092 --> 00:45:47,094
SO, HOW ARE YOU?

577
00:45:47,094 --> 00:45:48,595
HOW'S...

578
00:45:48,595 --> 00:45:50,096
- ROBERTO.
- ...ROBERTO?

579
00:45:50,097 --> 00:45:52,099
I DON'T KNOW.

580
00:45:52,099 --> 00:45:55,102
IS IT YOU OR HIM?

581
00:45:55,102 --> 00:45:56,103
I DON'T KNOW.

582
00:45:56,103 --> 00:45:57,104
IT'S YOU.

583
00:45:57,104 --> 00:45:59,106
YOU DON'T
EVEN KNOW HIM.

584
00:45:59,106 --> 00:46:00,607
I DON'T HAVE
TO KNOW HIM.

585
00:46:00,607 --> 00:46:02,108
I KNOW YOU.

586
00:46:02,109 --> 00:46:04,611
- WHERE ARE YOU GOING?
- <i>TO GET SOME TEA.</i>

587
00:46:04,611 --> 00:46:06,613
I THOUGHT YOU
DIDN'T WANT TEA.

588
00:46:06,613 --> 00:46:09,115
I'VE CHANGED MY MIND.

589
00:46:09,116 --> 00:46:10,617
LOOK,
NOTHING'S PERFECT.

590
00:46:10,617 --> 00:46:12,118
THE SOONER
YOU ACCEPT THAT,

591
00:46:12,119 --> 00:46:14,621
<i>THE HAPPIER</i>
<i>YOU'LL BE.</i>

592
00:46:14,621 --> 00:46:17,123
<i>I WORRY</i>
<i>ABOUT YOU, RONA.</i>

593
00:46:18,625 --> 00:46:20,627
I KNOW.

594
00:47:13,180 --> 00:47:14,681
EXCUSE ME.

595
00:47:14,681 --> 00:47:16,182
SORRY TO BOTHER YOU,
BUT, UH,

596
00:47:16,183 --> 00:47:17,684
WE'RE DOING
A DOOR-TO-DOOR INQUIRY

597
00:47:17,684 --> 00:47:19,185
ABOUT THE MISSING
MILLER GIRL.

598
00:47:20,187 --> 00:47:21,188
I'M SORRY, I DON'T--

599
00:47:21,188 --> 00:47:23,190
AMY LEE MILLER.

600
00:47:23,190 --> 00:47:25,192
SHE DISAPPEARED FROM THE PARK
ACROSS THE STREET YESTERDAY.

601
00:47:25,192 --> 00:47:26,193
YOU HAVEN'T HEARD
ABOUT THIS?

602
00:47:26,193 --> 00:47:28,695
NO, I HAVEN'T.

603
00:47:28,695 --> 00:47:31,197
I WONDER IF I CAN
GET YOUR NAME?

604
00:47:31,198 --> 00:47:32,199
RICHARD JACOB.

605
00:47:32,199 --> 00:47:33,700
J-A-C-O-B.

606
00:47:33,700 --> 00:47:35,201
YOU MARRIED,
MR. JACOB?

607
00:47:35,202 --> 00:47:37,204
NO.

608
00:47:37,204 --> 00:47:39,706
WELL, YES...
TECHNICALLY.

609
00:47:39,706 --> 00:47:42,709
I'VE BEEN SEPARATED FROM
MY WIFE FOR A LONG TIME.

610
00:47:42,709 --> 00:47:44,210
SHE LIVES OVERSEAS.

611
00:47:44,211 --> 00:47:45,212
ANY CHILDREN?

612
00:47:45,212 --> 00:47:47,214
YES.
ONE.

613
00:47:47,214 --> 00:47:48,215
SHE LIVES
WITH HER MOTHER.

614
00:47:50,217 --> 00:47:51,218
YOU'RE FRENCH?

615
00:47:51,218 --> 00:47:52,719
YES.

616
00:47:52,719 --> 00:47:53,720
FRENCH FRENCH?

617
00:47:53,720 --> 00:47:55,221
FRENCH FRENCH.

618
00:47:55,222 --> 00:47:56,723
FROM BELGIUM,
ORIGINALLY.

619
00:47:56,723 --> 00:47:58,725
WHY'D YOU LEAVE
FRANCE?

620
00:47:59,726 --> 00:48:01,728
I WANTED A CHANGE.

621
00:48:01,728 --> 00:48:03,229
I THOUGHT I'D LIKE
THE WINTERS.

622
00:48:03,230 --> 00:48:04,731
DO YOU?

623
00:48:04,731 --> 00:48:06,232
NO.

624
00:48:08,735 --> 00:48:10,737
HAVE YOU SEEN
THIS GIRL?

625
00:48:10,737 --> 00:48:12,739
DOES SHE LOOK FAMILIAR
TO YOU AT ALL?

626
00:48:14,241 --> 00:48:15,742
NO, I'VE
NEVER SEEN HER.

627
00:49:02,789 --> 00:49:05,291
( telephone rings,
low voices )

628
00:49:16,803 --> 00:49:18,304
AHEM!

629
00:49:18,305 --> 00:49:20,807
HI.
I WAS JUST WONDERING

630
00:49:20,807 --> 00:49:22,809
IF THERE WAS ANYTHING
I COULD DO TO HELP.

631
00:49:24,811 --> 00:49:26,813
IS THERE ANYTHING
YOU NEED?

632
00:49:26,813 --> 00:49:29,315
I THOUGHT YOU MIGHT
WANT THIS BACK.

633
00:49:32,319 --> 00:49:34,821
SHE LEFT IT
IN MY OFFICE.

634
00:49:37,824 --> 00:49:39,325
GET OUT OF MY HOUSE.

635
00:49:41,328 --> 00:49:44,831
HAVEN'T YOU
DONE ENOUGH?

636
00:49:44,831 --> 00:49:47,333
I'M A MOTHER, TOO.
I KNOW HOW YOU MUST FEEL.

637
00:49:47,334 --> 00:49:50,337
HOW WOULD YOU KNOW
HOW I FEEL?

638
00:49:53,340 --> 00:49:55,342
GET OUT.

639
00:49:57,344 --> 00:49:59,346
GET OUT OF MY HOUSE.

640
00:50:31,378 --> 00:50:33,880
Rupert:
<i>WHY'D YOU GET</i> <i>KICKED OUT OF SCHOOL?</i>

641
00:50:33,880 --> 00:50:35,882
Rachel:
I DIDN'T GET KICKED OUT.

642
00:50:35,882 --> 00:50:37,884
I DROPPED OUT.

643
00:50:37,884 --> 00:50:40,887
OKAY, WHY'D YOU DROP OUT?

644
00:50:40,887 --> 00:50:41,888
I HAD TO GET A JOB

645
00:50:41,888 --> 00:50:45,391
TO SUPPORT
MY MOTHER'S DRUG HABIT.

646
00:50:45,392 --> 00:50:47,394
REALLY,
WHY'D YOU QUIT?

647
00:50:50,397 --> 00:50:53,400
I... DIDN'T FIT IN.

648
00:50:54,901 --> 00:50:56,402
NOT FITTING IN
FORCES YOU

649
00:50:56,403 --> 00:50:58,405
TO BE ORIGINAL.

650
00:50:59,906 --> 00:51:02,408
WHO WANTS TO BE
LIKE EVERYONE ELSE ANYWAY?

651
00:51:02,409 --> 00:51:05,412
MOST PEOPLE
AREN'T THAT GREAT.

652
00:51:08,415 --> 00:51:11,418
YOU KNOW, I'VE
SEEN YOU OTHER TIMES,

653
00:51:11,418 --> 00:51:13,420
NOT JUST IN SCHOOL.

654
00:51:13,420 --> 00:51:14,921
WHERE?

655
00:51:16,423 --> 00:51:18,925
IN THE PARK
WALKING DOGS.

656
00:51:18,925 --> 00:51:21,427
I DO THINGS
FOR OLD PEOPLE--

657
00:51:21,428 --> 00:51:23,930
WALK THEIR DOGS,
READ TO THEM,

658
00:51:23,930 --> 00:51:26,933
BUY THEM GROCERIES,
WHATEVER.

659
00:51:28,435 --> 00:51:31,438
SO WHAT'S THAT LIKE,
WORKING FOR OLD PEOPLE?

660
00:51:31,438 --> 00:51:33,940
MY MOTHER HATES IT
WHEN I CALL THEM THAT.

661
00:51:33,940 --> 00:51:35,942
SHE THINKS
IT'S REDUCTIVE.

662
00:51:43,450 --> 00:51:45,452
DID YOU HEAR
ABOUT THAT GIRL

663
00:51:45,452 --> 00:51:46,953
THAT WENT MISSING?

664
00:51:47,954 --> 00:51:49,455
YEAH.

665
00:51:50,457 --> 00:51:52,459
SHE'S PROBABLY DEAD.

666
00:51:54,461 --> 00:51:57,464
THEY SAY IF A KID
HASN'T TURNED UP WITHIN 48 HOURS,

667
00:51:57,464 --> 00:51:58,965
THAT THEY'RE
PROBABLY DEAD.

668
00:52:01,468 --> 00:52:03,970
IT HASN'T BEEN
48 HOURS.

669
00:52:28,495 --> 00:52:30,497
( dialing )

670
00:52:36,002 --> 00:52:38,504
( ringing )

671
00:52:38,505 --> 00:52:41,007
Girl:
<i>Hello?</i>

672
00:53:16,126 --> 00:53:20,630
( playback )
<i>Mama, there's no one there.</i>

673
00:53:20,630 --> 00:53:23,132
<i>Is that you, Sylvie?</i>

674
00:53:23,133 --> 00:53:26,636
<i>Of course, it's me.</i>
<i>Is that you, Daniel?</i>

675
00:53:26,636 --> 00:53:30,139
<i>Mama, it's Daniel.</i>
<i>Come quick.</i>

676
00:53:47,157 --> 00:53:49,159
I WAS WONDERING...

677
00:53:49,159 --> 00:53:51,161
I DON'T, UH,
HAVE AN APPOINTMENT,

678
00:53:51,161 --> 00:53:52,662
BUT CAN YOU SEE ME?

679
00:53:52,662 --> 00:53:54,163
NOW?

680
00:53:54,164 --> 00:53:55,665
IF YOU CAN.

681
00:53:55,665 --> 00:53:57,667
I...

682
00:54:03,173 --> 00:54:05,675
OKAY.
SURE.

683
00:54:05,675 --> 00:54:06,676
COME IN.

684
00:54:30,700 --> 00:54:32,702
( murmuring )

685
00:54:34,204 --> 00:54:35,705
WHAT DID YOU SAY?

686
00:54:39,709 --> 00:54:42,211
NOBODY'S TOUCHED ME
IN...

687
00:54:42,212 --> 00:54:44,214
SUCH A LONG TIME.

688
00:54:58,228 --> 00:55:00,230
( softly )
I KNOW.

689
00:55:00,230 --> 00:55:02,232
( sobs )

690
00:55:02,232 --> 00:55:03,233
I KNOW.

691
00:55:31,261 --> 00:55:33,763
Rupert:
<i>I LIKE TO SEE</i> <i>WHERE THEY'RE LOOKING</i>

692
00:55:33,763 --> 00:55:35,765
<i>WHEN THEY'RE DOING IT...</i>

693
00:55:35,765 --> 00:55:38,267
LIKE, IF THEY'RE LOOKING
INTO EACH OTHER'S EYES

694
00:55:38,268 --> 00:55:39,269
OR AWAY.

695
00:55:40,770 --> 00:55:42,271
ALL TYPES OF LITTLE
THINGS LIKE THAT

696
00:55:42,272 --> 00:55:43,773
CAN TELL YOU A LOT.

697
00:55:43,773 --> 00:55:46,275
LIKE WHAT?

698
00:55:46,276 --> 00:55:48,278
IF THEY REALLY WANT
TO BE THERE OR NOT.

699
00:55:50,780 --> 00:55:52,782
IF THEY'RE HAPPY
OR MISERABLE...

700
00:55:52,782 --> 00:55:55,284
TURNED ON
OR UNCOMFORTABLE.

701
00:55:58,288 --> 00:56:00,290
OR IF THEY'RE
IN LOVE.

702
00:56:07,297 --> 00:56:09,299
HAVE YOU EVER
BEEN CAUGHT?

703
00:56:12,302 --> 00:56:14,804
SOME PEOPLE LIKE
TO BE WATCHED.

704
00:56:16,306 --> 00:56:18,808
OTHER PEOPLE
LIKE TO WATCH.

705
00:56:32,822 --> 00:56:34,824
OH, HEY, HI.
SORRY I'M LATE.

706
00:56:34,824 --> 00:56:35,825
I GOT TIED UP.

707
00:56:35,825 --> 00:56:36,826
WELL, I FORGOT
YOU WERE COMING.

708
00:56:36,826 --> 00:56:38,327
I'M JUST
ON MY WAY OUT.

709
00:56:38,328 --> 00:56:39,329
OH.

710
00:56:39,329 --> 00:56:40,830
WELL, DO YOU
WANNA RESCHEDULE?

711
00:56:40,830 --> 00:56:41,831
NO!

712
00:56:41,831 --> 00:56:42,832
UH, NO.
IT'S FINE.

713
00:56:42,832 --> 00:56:44,333
- ARE YOU OKAY?
- OH, YEAH, I'M JUST GREAT.

714
00:56:44,334 --> 00:56:45,835
THANKS FOR ASKING.

715
00:56:46,836 --> 00:56:48,337
BITCH.

716
00:56:51,341 --> 00:56:53,343
Machine:
<i>You have one new message.</i>

717
00:56:53,343 --> 00:56:56,346
<i>To listen to your messages,</i>
<i>press "1."</i>

718
00:56:56,346 --> 00:56:59,349
Rona:
<i>It's me. Are you there?</i> <i>Pick up the phone.</i>

719
00:56:59,349 --> 00:57:01,351
<i>Shit.</i>

720
00:57:01,351 --> 00:57:04,354
<i>You know that little girl</i>
<i>that's missing?</i>

721
00:57:04,354 --> 00:57:07,857
<i>You must've heard about it.</i>
<i>I know her.</i>

722
00:57:07,857 --> 00:57:09,358
<i>Two days after I got back</i>
<i>from Italy,</i>

723
00:57:09,359 --> 00:57:11,861
<i>The mother and her kid</i>
<i>came to my studio.</i>

724
00:57:11,861 --> 00:57:14,864
<i>You came with me,</i>
<i>and we delivered the cake.</i>

725
00:57:14,864 --> 00:57:17,366
<i>A little house in</i>
<i>the East End, remember?</i>

726
00:57:17,367 --> 00:57:19,369
<i>Call me when you</i>
<i>get this message.</i>

727
00:57:19,369 --> 00:57:20,870
OH, GOD...

728
00:57:23,373 --> 00:57:26,376
( ringing )

729
00:57:26,376 --> 00:57:28,378
Rona:
<i>Yeah?</i>

730
00:57:28,378 --> 00:57:28,878
HI, IT'S ME.

731
00:57:28,878 --> 00:57:30,379
YOU GOT MY MESSAGE?

732
00:57:30,380 --> 00:57:31,381
<i>Yeah.</i>
<i>I'm upstairs.</i>

733
00:57:31,381 --> 00:57:32,382
WHERE?

734
00:57:32,382 --> 00:57:33,883
<i>Massage office.</i>
<i>I'll come down.</i>

735
00:57:33,883 --> 00:57:34,884
NO.

736
00:57:34,884 --> 00:57:36,886
WELL, I WANNA
SEE "LUIGI."

737
00:57:36,886 --> 00:57:38,387
Not yet.
Give it another day.

738
00:57:38,388 --> 00:57:39,889
Anyway, he's in bed.

739
00:57:39,889 --> 00:57:40,890
THAT COULD BE
INTERESTING.

740
00:57:40,890 --> 00:57:44,393
LISTEN, YOU KNOW
THAT GIRL THAT'S MISSING?

741
00:57:44,394 --> 00:57:45,895
IT'S A SIGN.

742
00:57:45,895 --> 00:57:47,897
WHAT KIND OF SIGN?

743
00:57:47,897 --> 00:57:50,399
SOMETHING...
MALEVOLENT.

744
00:57:50,400 --> 00:57:51,901
<i>It's not a sign.</i>
<i>It's just freaky shit.</i>

745
00:57:51,901 --> 00:57:53,402
<i>Freaky shit happens</i>
<i>all the time.</i>

746
00:57:53,403 --> 00:57:54,404
I KNOW HER.

747
00:57:54,404 --> 00:57:56,406
YOU MET HER
A COUPLE OF TIMES.

748
00:57:56,406 --> 00:57:57,907
I saw her yesterday,

749
00:57:57,907 --> 00:58:00,409
probably half an hour
before it happened.

750
00:58:00,410 --> 00:58:01,911
SHE WAS WITH THAT GIRL,

751
00:58:01,911 --> 00:58:03,913
YOUR MASSAGE LADY'S KID.

752
00:58:03,913 --> 00:58:05,414
<i>Rachel?</i>

753
00:58:05,415 --> 00:58:07,417
I RAN INTO THEM
ON THE ELEVATOR,

754
00:58:07,417 --> 00:58:09,419
then I watched them go
into the park together.

755
00:58:09,419 --> 00:58:10,920
I NEVER LIKED
THAT GIRL.

756
00:58:10,920 --> 00:58:13,422
<i>Who's to say</i>
<i>she didn't just throw</i> <i>the kid in a hole?</i>

757
00:58:13,423 --> 00:58:15,425
THAT'S A HORRIBLE THING
TO SAY.

758
00:58:15,425 --> 00:58:16,926
SHE'S EVIL.

759
00:58:16,926 --> 00:58:18,928
She's a 16-year-old girl.

760
00:58:20,930 --> 00:58:22,431
WELL, IT HASN'T BEEN
THAT LONG.

761
00:58:22,432 --> 00:58:24,434
MAYBE THEY'LL FIND HER.

762
00:58:24,434 --> 00:58:25,435
NO.

763
00:58:25,435 --> 00:58:26,936
THEY WON'T FIND HER.

764
00:58:28,938 --> 00:58:31,440
I KNOW YOU DON'T
WANT ME HERE, BUT, UH...

765
00:58:31,441 --> 00:58:34,944
I CAN'T HELP BUT FEEL
THAT THIS IS ALL MY FAULT.

766
00:58:34,944 --> 00:58:37,446
I WANT TO HELP YOU.

767
00:58:37,447 --> 00:58:38,948
YOU DON'T WANT
TO HELP ME.

768
00:58:38,948 --> 00:58:40,950
YOU WANT ME
TO FORGIVE YOU.

769
00:58:45,955 --> 00:58:47,957
IT DOESN'T MATTER
WHOSE FAULT IT IS.

770
00:58:51,961 --> 00:58:53,462
I DON'T BLAME YOU.

771
00:58:57,467 --> 00:58:58,968
AFTER YOU LEFT...

772
00:59:00,470 --> 00:59:02,972
I PRAYED.

773
00:59:02,972 --> 00:59:04,473
I HAVEN'T DONE THAT
IN A REALLY LONG TIME.

774
00:59:04,474 --> 00:59:06,476
I MEAN,
I'M NOT SOMEBODY...

775
00:59:09,979 --> 00:59:11,480
BUT WHEN I DID...

776
00:59:12,982 --> 00:59:14,483
I KNEW IT.

777
00:59:15,985 --> 00:59:18,487
THEY <i>ARE</i>
<i>GOING TO FIND HER.</i>

778
00:59:18,488 --> 00:59:20,990
SHE'S GOING
TO BE OKAY.

779
00:59:22,492 --> 00:59:23,993
WE JUST HAVE
TO HAVE FAITH.

780
00:59:26,996 --> 00:59:28,998
I'M SORRY.

781
00:59:30,500 --> 00:59:32,001
I'M SO SORRY.

782
00:59:43,012 --> 00:59:44,513
OH, I'M SORRY.

783
00:59:44,514 --> 00:59:46,015
I'M SORRY...

784
00:59:50,019 --> 00:59:53,522
I SHOULDN'T HAVE
SENT HER OUT THERE.

785
01:00:02,532 --> 01:00:05,034
Rachel:
I DON'T HATE MY MOTHER.

786
01:00:05,034 --> 01:00:07,536
I JUST DON'T RELATE
TO HER VERY WELL.

787
01:00:09,539 --> 01:00:11,040
SHE'S ALWAYS
LOOKING AT ME

788
01:00:11,040 --> 01:00:13,542
LIKE I'VE GOT SOMETHING
STUCK BETWEEN MY TEETH.

789
01:00:16,546 --> 01:00:19,048
I DON'T THINK
SHE LIKES ME VERY MUCH.

790
01:00:19,048 --> 01:00:21,050
I'M AN ORPHAN.

791
01:00:23,052 --> 01:00:24,053
REALLY?

792
01:00:26,055 --> 01:00:27,056
I WISH.

793
01:00:29,559 --> 01:00:31,561
WHAT ABOUT YOUR FATHER?

794
01:00:31,561 --> 01:00:34,063
DEAD.

795
01:00:34,063 --> 01:00:35,564
TWO YEARS AGO.

796
01:00:38,067 --> 01:00:39,568
HOW'D HE DIE?

797
01:00:42,572 --> 01:00:43,573
I KILLED HIM.

798
01:00:47,577 --> 01:00:52,081
WE WERE SCREWING AROUND
IN HISTORY CLASS, AND...

799
01:00:52,081 --> 01:00:54,083
I JUST DIDN'T WANT
TO BE THERE.

800
01:00:54,083 --> 01:00:58,587
I KNEW IF I PUSHED IT FAR
ENOUGH I'D GET KICKED OUT.

801
01:01:00,089 --> 01:01:01,590
SO I DID.

802
01:01:01,591 --> 01:01:03,593
AND THEN
THEY CALLED MY DAD

803
01:01:03,593 --> 01:01:05,094
TO COME PICK ME UP...

804
01:01:07,096 --> 01:01:09,098
THE CAR WAS TOTALLED
TWO BLOCKS FROM OUR HOUSE.

805
01:01:12,101 --> 01:01:14,103
WOW.

806
01:01:16,105 --> 01:01:17,106
I KNOW.

807
01:01:23,613 --> 01:01:26,115
"IF I WERE OTHER,
OTHER THAN I,

808
01:01:26,115 --> 01:01:30,619
PERHAPS THE WORLD
STILL WOULD BE IN ONE PIECE.

809
01:01:30,620 --> 01:01:33,623
MAYBE THE I I'D BE
MIGHT BE LOVED."

810
01:01:35,124 --> 01:01:37,126
RACHEL WROTE THAT?

811
01:01:38,127 --> 01:01:40,129
MAY I SEE?

812
01:01:44,133 --> 01:01:45,634
I DIDN'T KNOW.

813
01:01:47,136 --> 01:01:49,138
IT'S HARD ON KIDS,

814
01:01:49,138 --> 01:01:50,639
LOSING SOMEONE.

815
01:01:52,642 --> 01:01:55,144
IT'S HARD ON ANYBODY.

816
01:01:56,646 --> 01:01:58,147
SOMETIMES I...

817
01:01:58,147 --> 01:01:59,648
THINK I'VE HAD
ENOUGH TIME

818
01:01:59,649 --> 01:02:01,651
TO DEAL WITH IT.

819
01:02:01,651 --> 01:02:04,153
I SHOULD'VE GOTTEN
OVER HIM.

820
01:02:04,153 --> 01:02:06,155
BUT THEN I'LL BE...

821
01:02:06,155 --> 01:02:09,158
MASSAGING SOMEONE,
AND...

822
01:02:09,158 --> 01:02:12,161
THE SHAPE
OF THEIR SHOULDER...

823
01:02:13,162 --> 01:02:14,663
NECK, OR...

824
01:02:14,664 --> 01:02:18,167
THE FEEL
OF THEIR HAIR...

825
01:02:18,167 --> 01:02:19,668
AND THEY'RE HIM.

826
01:02:21,671 --> 01:02:23,172
SOMETIMES
IT'S AS IF...

827
01:02:23,172 --> 01:02:25,174
ALL THE PEOPLE
I MASSAGE...

828
01:02:26,676 --> 01:02:28,177
THEY'RE ALL HIM.

829
01:02:36,686 --> 01:02:38,688
SHE'S GONNA BE FINE.

830
01:02:38,688 --> 01:02:41,691
YOUR LITTLE GIRL,
SHE IS GONNA BE FINE.

831
01:02:41,691 --> 01:02:43,693
YOU'RE RIGHT.

832
01:02:43,693 --> 01:02:47,196
THEY'RE GONNA
FIND HER...

833
01:02:47,196 --> 01:02:49,198
AND SHE'S
GONNA BE FINE.

834
01:02:58,207 --> 01:02:59,708
( knock on door )

835
01:03:04,714 --> 01:03:06,215
HI.

836
01:03:06,215 --> 01:03:07,716
HI.

837
01:03:07,717 --> 01:03:09,719
I WAS SURPRISED
YOU CALLED.

838
01:03:09,719 --> 01:03:11,721
IT'S BEEN A WHILE.

839
01:03:14,223 --> 01:03:15,724
( speaking French )

840
01:04:10,580 --> 01:04:13,082
( heartbeat )

841
01:04:22,091 --> 01:04:25,094
Robert:
THAT'S A NEW PIERCING.

842
01:04:25,094 --> 01:04:27,596
HM.
ABOUT A YEAR.

843
01:04:27,597 --> 01:04:28,598
A LOT OF THEM
ARE NEW.

844
01:04:28,598 --> 01:04:30,099
YOU JUST
CAN'T SEE THEM ALL.

845
01:04:30,099 --> 01:04:32,101
( both laughing )

846
01:04:32,101 --> 01:04:35,104
YOU HAVEN'T SAID
ANYTHING ABOUT MY HAIR.

847
01:04:35,104 --> 01:04:36,605
YOU LOOK GOOD.

848
01:04:40,610 --> 01:04:42,111
WHY DID WE BREAK UP?

849
01:04:43,613 --> 01:04:45,615
MIGHT AS WELL ASK
WHY WE WERE TOGETHER

850
01:04:45,615 --> 01:04:46,616
IN THE FIRST PLACE.

851
01:04:49,118 --> 01:04:51,120
FIRST OF ALL,
YOU LIKE MEN BETTER.

852
01:04:51,120 --> 01:04:52,621
NOT BETTER.
JUST--

853
01:04:52,622 --> 01:04:55,124
YOU THOUGHT
I WAS A SLOB...

854
01:04:55,124 --> 01:04:57,126
YOU HATED MY MUSIC...

855
01:04:57,126 --> 01:04:59,128
LOTS OF PEOPLE
HATED YOUR MUSIC.

856
01:05:03,132 --> 01:05:05,134
SO, UH...

857
01:05:05,134 --> 01:05:07,136
WHAT'S THIS
ALL ABOUT ANYWAYS?

858
01:05:08,137 --> 01:05:09,638
WHAT?

859
01:05:09,639 --> 01:05:10,640
THIS.

860
01:05:10,640 --> 01:05:13,142
I HAVEN'T HEARD FROM YOU
IN OVER TWO YEARS.

861
01:05:16,646 --> 01:05:18,648
I WANTED TO SMELL YOU.

862
01:05:18,648 --> 01:05:20,650
WHAT?

863
01:05:23,152 --> 01:05:24,653
FOR THE LAST
COUPLE OF WEEKS,

864
01:05:24,654 --> 01:05:25,655
I'VE BEEN SEEING
EVERYONE

865
01:05:25,655 --> 01:05:27,156
THAT I USED TO SEE

866
01:05:27,156 --> 01:05:28,657
AND SMELLING THEM.

867
01:05:30,660 --> 01:05:31,661
OH, YEAH?

868
01:05:34,664 --> 01:05:36,165
YOU CAN SMELL LOVE.

869
01:05:36,165 --> 01:05:38,167
IF ANYONE
I USED TO BE WITH

870
01:05:38,167 --> 01:05:39,668
STILL LOVES ME,

871
01:05:39,669 --> 01:05:40,670
I'LL BE ABLE TO TELL.

872
01:05:40,670 --> 01:05:42,171
I SEE.

873
01:05:42,171 --> 01:05:45,174
AND YOU WANNA SMELL ME?

874
01:05:46,676 --> 01:05:48,177
WELL, YEAH.

875
01:05:52,181 --> 01:05:54,183
SMELL AWAY.

876
01:06:05,194 --> 01:06:06,695
WHAT'S THE VERDICT?

877
01:06:06,696 --> 01:06:08,698
HMM...

878
01:06:08,698 --> 01:06:10,199
NO.

879
01:06:11,200 --> 01:06:14,203
WELL... IT WORKS.

880
01:06:14,203 --> 01:06:16,205
I DON'T LOVE YOU.

881
01:06:18,207 --> 01:06:20,209
I LIKE YOU.

882
01:06:21,711 --> 01:06:24,714
BUT I--
I DON'T LOVE YOU.

883
01:06:31,220 --> 01:06:33,722
THERE'S A LOT
OF PEOPLE OUT THERE.

884
01:06:33,723 --> 01:06:35,725
YOU JUST HAVE
TO GIVE IT TIME.

885
01:06:35,725 --> 01:06:37,727
YEAH.

886
01:06:38,728 --> 01:06:41,731
NOT EVERYONE'S MEANT
TO BE WITH SOMEONE.

887
01:06:59,749 --> 01:07:01,751
MMM...

888
01:07:30,780 --> 01:07:32,782
( softly )
OH, NO...

889
01:10:10,522 --> 01:10:13,525
( choral music playing )

890
01:11:12,084 --> 01:11:13,585
<i>BONJOUR.</i>

891
01:11:18,574 --> 01:11:19,541
MM-HMM.

892
01:11:38,527 --> 01:11:40,529
( talk radio on )

893
01:11:42,531 --> 01:11:45,534
Woman on radio:
<i>People always blame</i> <i>the mother.</i>

894
01:11:45,534 --> 01:11:48,036
<i>You can't watch your kids</i>
<i>24 hours a day.</i>

895
01:11:48,037 --> 01:11:49,538
<i>What are you</i>
<i>supposed to do,</i>

896
01:11:49,538 --> 01:11:51,039
<i>give up everything else</i>
<i>in your life?</i>

897
01:11:51,040 --> 01:11:52,541
<i>Anyway, there's no point</i>

898
01:11:52,541 --> 01:11:54,042
<i>focusing all this attention</i>
<i>on the mother.</i>

899
01:11:54,043 --> 01:11:55,544
<i>There's a kid out there.</i>

900
01:11:55,544 --> 01:11:58,046
<i>Why aren't they</i>
<i>worrying about her?</i>

901
01:11:58,047 --> 01:11:59,548
DJ:
<i>Thanks for your call.</i>

902
01:11:59,548 --> 01:12:01,049
<i>This is KCLN</i>
<i>Radio Talk Back,</i>

903
01:12:01,050 --> 01:12:02,551
<i>and we're talking back</i>
<i>about the disappearance</i>

904
01:12:02,551 --> 01:12:04,052
<i>of Amy Lee Miller.</i>

905
01:12:04,053 --> 01:12:05,554
( turns radio off )

906
01:12:09,058 --> 01:12:11,560
( telephone rings )

907
01:12:14,563 --> 01:12:17,566
( ring )

908
01:12:20,569 --> 01:12:22,070
( interrupted ring )

909
01:12:22,071 --> 01:12:24,573
HELLO, ANNA MILLER
SPEAKING.

910
01:12:32,081 --> 01:12:34,083
<i>YEAH.</i>
<i>YEAH.</i>

911
01:12:34,083 --> 01:12:35,584
<i>NO.</i>

912
01:12:37,086 --> 01:12:38,587
UH, NO...

913
01:12:43,092 --> 01:12:44,593
THERE'S NO NEWS.

914
01:12:47,596 --> 01:12:49,598
<i>YEAH, I'M FINE.</i>

915
01:12:57,106 --> 01:12:59,108
( Roberto humming )

916
01:13:07,616 --> 01:13:10,619
( doorbell rings )

917
01:13:10,619 --> 01:13:12,120
( ring )

918
01:13:12,121 --> 01:13:13,622
<i>SI.</i>

919
01:13:13,622 --> 01:13:15,123
( ring )

920
01:13:15,124 --> 01:13:17,126
( speaking Italian )

921
01:13:18,127 --> 01:13:20,129
COMING!

922
01:13:20,129 --> 01:13:21,130
HEY...

923
01:13:21,130 --> 01:13:23,132
HI.
I'M ROBERT.

924
01:13:23,132 --> 01:13:24,633
ROBERT?  ROBERTO.
<i>BENVENUTO.</i>

925
01:13:24,633 --> 01:13:26,635
( speaking Italian )

926
01:13:46,655 --> 01:13:48,156
UH, NICE... NICE...?

927
01:13:48,157 --> 01:13:50,159
<i>SI? CAPICI?</i>

928
01:13:52,161 --> 01:13:53,162
RONA!

929
01:13:53,162 --> 01:13:55,164
( continues in Italian )
<i>...AMICO ROBERT.</i>

930
01:13:59,168 --> 01:14:00,669
HAVING FUN, BOYS?

931
01:14:00,669 --> 01:14:02,170
( speaking Italian )

932
01:14:08,677 --> 01:14:10,178
WHAT ARE YOU
DOING HERE?

933
01:14:10,179 --> 01:14:11,680
LOOKS LIKE
I CAME FOR BRUNCH.

934
01:14:11,680 --> 01:14:13,181
WHAT, ARE YOU
EXPECTING COMPANY?

935
01:14:13,182 --> 01:14:15,184
NO, BUT THAT
DOESN'T STOP HIM.

936
01:14:15,184 --> 01:14:16,185
HE'S LIKE
JULIA CHILD

937
01:14:16,185 --> 01:14:18,187
WITH A BLENDER
UP HER ASS.

938
01:14:18,187 --> 01:14:20,189
( chattering )

939
01:14:34,703 --> 01:14:36,705
HE CAN COOK.

940
01:14:36,705 --> 01:14:37,706
HE'S EXPERIMENTING.

941
01:14:37,706 --> 01:14:39,708
HE WANTS TO GET A JOB
IN A RESTAURANT.

942
01:14:39,708 --> 01:14:42,210
SO HE'S STAYING.

943
01:14:46,215 --> 01:14:48,217
OH, NO, NO.
<i>NO ORA.</i>

944
01:14:48,217 --> 01:14:49,218
<i>SI, ORA, SI.</i>

945
01:14:49,218 --> 01:14:51,220
- <i>NO ORA.</i>
<i>-</i> <i>E SI--</i>

946
01:14:51,220 --> 01:14:51,720
AAH!

947
01:14:51,720 --> 01:14:53,722
- <i>SCUSA!</i>
<i>- SHIT.</i>

948
01:14:53,722 --> 01:14:55,223
<i>SCUSA.</i>
<i>SCUSA.</i>

949
01:14:58,727 --> 01:15:00,228
I WAS TALKING.

950
01:15:00,229 --> 01:15:02,231
( speaking Italian )
<i>STO PARLANDO.</i>

951
01:15:02,231 --> 01:15:04,233
EH, PARLARE,
MANGIARE, EH?

952
01:15:04,233 --> 01:15:05,234
<i>NO.</i>
<i>BASTA, BAS--</i>

953
01:15:05,234 --> 01:15:06,735
<i>BASTA! BASTA!</i>

954
01:15:10,239 --> 01:15:12,741
SORRY.

955
01:15:15,244 --> 01:15:16,745
HIGH MAINTENANCE.

956
01:15:17,746 --> 01:15:19,247
WELL...

957
01:15:19,248 --> 01:15:20,749
YOU LOOK GOOD.

958
01:15:20,749 --> 01:15:22,250
OF COURSE
I LOOK GOOD.

959
01:15:22,251 --> 01:15:24,253
ALL I DO IS
FUCK AND EAT.

960
01:15:27,756 --> 01:15:29,758
I'M WORRIED IT COULD BE
SOME KIND OF SCAM.

961
01:15:29,758 --> 01:15:31,760
THERE WAS A WOMAN AT
THE AIRPORT WITH HIM.

962
01:15:31,760 --> 01:15:33,762
I'LL GO IN THERE RIGHT NOW
AND TELL HIM TO GET LOST.

963
01:15:33,762 --> 01:15:37,265
HE WON'T
UNDERSTAND YOU.

964
01:15:37,266 --> 01:15:39,268
I DON'T KNOW.
I'VE BEEN INVADED.

965
01:15:39,268 --> 01:15:40,769
LET'S GET OUT
OF HERE.

966
01:15:42,771 --> 01:15:45,273
Robert:
WHY DID WE BREAK UP?

967
01:15:45,274 --> 01:15:46,775
Rona:
YOU'RE NOT SERIOUS?

968
01:15:46,775 --> 01:15:48,276
I JUST WANT TO KNOW.

969
01:15:48,277 --> 01:15:49,778
WELL, FOR ONE THING,

970
01:15:49,778 --> 01:15:51,279
EVERY TIME WE WENT
TO BED TOGETHER,

971
01:15:51,280 --> 01:15:52,781
WE COULDN'T
STOP LAUGHING.

972
01:15:57,286 --> 01:15:58,787
DO YOU THINK
WE USE EACH OTHER

973
01:15:58,787 --> 01:16:01,289
TO AVOID INTIMACY
WITH OTHER PEOPLE?

974
01:16:01,290 --> 01:16:02,291
FUCK OFF.

975
01:16:02,291 --> 01:16:04,793
SOMETIMES IT'S THE PEOPLE
YOU'RE CLOSEST TO

976
01:16:04,793 --> 01:16:06,795
THAT HOLD YOU BACK
THE MOST.

977
01:16:06,795 --> 01:16:09,297
WHAT'S THIS
ALL ABOUT ANYWAY?

978
01:16:10,799 --> 01:16:12,300
YOU KNOW THAT COUPLE,

979
01:16:12,301 --> 01:16:13,802
THE ONES YOU MADE
THE CAKE FOR?

980
01:16:13,802 --> 01:16:15,303
THE CUTE HUSBAND.

981
01:16:15,304 --> 01:16:18,307
WELL, THEY'RE SO...

982
01:16:18,307 --> 01:16:19,808
WHENEVER I SEE THEM,
I THINK

983
01:16:19,808 --> 01:16:21,309
"WHY CAN'T I HAVE THAT?"

984
01:16:21,310 --> 01:16:23,312
MAYBE YOU
DON'T WANT <i>THAT...</i>

985
01:16:23,312 --> 01:16:24,813
MAYBE YOU WANT <i>THEM.</i>

986
01:16:28,317 --> 01:16:31,820
HONEY,
YOU'RE A PRIZE!

987
01:16:31,820 --> 01:16:32,821
YOU'RE A CATCH!

988
01:16:32,821 --> 01:16:34,322
YEAH, I KNOW.

989
01:16:37,326 --> 01:16:38,827
I SHOULD GO.

990
01:16:38,827 --> 01:16:39,828
WHERE?

991
01:16:39,828 --> 01:16:41,329
TO SEE MY MOTHER.

992
01:16:41,330 --> 01:16:42,831
YOU SAW YOUR MOTHER
YESTERDAY.

993
01:16:42,831 --> 01:16:44,332
WHAT YOU SHOULD DO
IS GO HOME

994
01:16:44,333 --> 01:16:45,834
AND DEAL WITH LUIGI.

995
01:16:45,834 --> 01:16:47,836
I'LL TELL YOU WHY
WE BROKE UP:

996
01:16:47,836 --> 01:16:49,838
'CAUSE YOU WERE
ALWAYS ON MY TITS.

997
01:16:55,844 --> 01:16:59,347
( choir singing )

998
01:17:32,381 --> 01:17:33,832
( speaking French )

999
01:18:09,701 --> 01:18:11,703
( song ending )

1000
01:18:21,213 --> 01:18:22,714
<i>COME ON.</i>

1001
01:18:46,238 --> 01:18:47,239
SIT DOWN.

1002
01:18:51,243 --> 01:18:53,745
DID YOU BUY
ALL THIS STUFF?

1003
01:18:57,249 --> 01:18:59,251
NOT EXACTLY.

1004
01:19:20,772 --> 01:19:22,273
I LIKE THIS ONE.

1005
01:19:26,778 --> 01:19:28,780
PUT IT ON.

1006
01:19:30,282 --> 01:19:32,284
YOU PUT IT ON.

1007
01:19:34,286 --> 01:19:35,787
OKAY.

1008
01:19:50,302 --> 01:19:53,305
I DON'T KNOW
IF IT'S REALLY ME.

1009
01:19:57,309 --> 01:19:58,810
Raymond:
THE CAKE WAS A HIT.

1010
01:19:58,810 --> 01:20:00,311
REALLY?

1011
01:20:00,312 --> 01:20:02,814
WELL, IT DIDN'T REALLY
TASTE THAT GOOD, BUT...

1012
01:20:02,814 --> 01:20:04,315
IT LOOKED GREAT.

1013
01:20:04,316 --> 01:20:05,817
WELL, YOU KNOW...

1014
01:20:05,817 --> 01:20:07,819
SHE'S NOT REALLY
MUCH OF A COOK.

1015
01:20:07,819 --> 01:20:09,320
THAT'S A BIT
OF A THING WITH HER.

1016
01:20:09,321 --> 01:20:12,324
I MEAN... I DON'T
MEAN TO SAY SHE'S...

1017
01:20:12,324 --> 01:20:13,825
I MEAN, SHE'S-- I SUPPOSE
SHOULDN'T SAY THAT.

1018
01:20:13,825 --> 01:20:15,827
- SHE'S, UH--
- NEVER MIND.

1019
01:20:15,827 --> 01:20:16,828
<i>SHE'S A GOOD</i>
<i>FRIEND?</i>

1020
01:20:16,828 --> 01:20:18,329
OH, YEAH.
WE PLAN ON SPENDING

1021
01:20:18,330 --> 01:20:20,332
OUR INFIRMITY TOGETHER
ON A DESERT ISLAND.

1022
01:20:20,332 --> 01:20:23,835
THAT'S OUR CONTINGENCY PLAN.

1023
01:20:23,835 --> 01:20:25,837
SO YOU'RE NOT
WITH ANYONE?

1024
01:20:25,837 --> 01:20:27,338
UH... NO.

1025
01:20:27,339 --> 01:20:29,341
I DON'T REALLY
DO THAT VERY WELL.

1026
01:20:33,845 --> 01:20:34,846
WHAT?

1027
01:20:34,846 --> 01:20:37,348
NOTHING.

1028
01:20:40,852 --> 01:20:42,353
WHAT?

1029
01:20:42,354 --> 01:20:44,356
MAYBE YOU JUST HAVEN'T
FOUND THE RIGHT PERSON.

1030
01:20:44,356 --> 01:20:45,357
YEAH, RIGHT.

1031
01:20:45,357 --> 01:20:47,859
ALL THE PEOPLE I'VE HAD
RELATIONSHIPS WITH--

1032
01:20:47,859 --> 01:20:48,860
AND I WON'T
CALL THEM LOVERS

1033
01:20:48,860 --> 01:20:49,861
BECAUSE I DON'T THINK

1034
01:20:49,861 --> 01:20:51,863
THERE WAS EVER
ANY LOVE THERE--

1035
01:20:51,863 --> 01:20:53,865
<i>PEOPLE COME</i>
<i>INTO YOUR LIFE</i> <i>FOR A REASON.</i>

1036
01:20:53,865 --> 01:20:55,867
IT MAY NOT BE
FOREVER...

1037
01:20:55,867 --> 01:20:57,368
BUT IT STILL
MEANS SOMETHING.

1038
01:21:05,377 --> 01:21:06,878
COFFEE?

1039
01:21:14,386 --> 01:21:16,888
( women speaking Italian )

1040
01:22:36,968 --> 01:22:39,470
MONICA?
<i>CIAO,</i> ROBERTO.

1041
01:22:39,471 --> 01:22:40,472
( speaking Italian )

1042
01:22:42,474 --> 01:22:44,476
MOM?

1043
01:22:53,485 --> 01:22:54,986
MOM?

1044
01:23:01,493 --> 01:23:03,495
OH, GOD!

1045
01:23:10,502 --> 01:23:12,003
Richard:

1046
01:23:13,004 --> 01:23:14,472
Odile:

1047
01:23:50,208 --> 01:23:51,709
EVERYBODY...

1048
01:23:51,710 --> 01:23:52,711
IS AFRAID...

1049
01:23:52,711 --> 01:23:54,713
OF SOMETHING.

1050
01:24:50,902 --> 01:24:53,404
Medic:
<i>IT'S JUST A SIDE EFFECT</i> <i>OF THE MEDICATION.</i>

1051
01:24:53,404 --> 01:24:55,406
MAYBE SHE SHOULDN'T
BE TAKING IT, THEN.

1052
01:24:55,406 --> 01:24:57,908
<i>WELL, HER DOCTOR</i>
<i>SHOULD REDUCE THE DOSAGE.</i>

1053
01:25:01,913 --> 01:25:04,415
YOU SHOULD GO
TO A HOSPITAL.

1054
01:25:04,415 --> 01:25:06,417
I'M FINE.
I FAINTED, THAT'S ALL.

1055
01:25:06,417 --> 01:25:07,918
IT'S HAPPENED
BEFORE.

1056
01:25:07,919 --> 01:25:10,421
YOU FAINTED BEFORE?
YOU NEVER TOLD ME.

1057
01:25:10,421 --> 01:25:12,423
WELL, THINGS HAPPEN
WHEN YOU'RE DYING.

1058
01:25:12,423 --> 01:25:14,925
YOU'RE NOT DYING.

1059
01:25:27,438 --> 01:25:30,441
WAIT HERE A MINUTE.
I'LL BE RIGHT BACK.

1060
01:25:30,441 --> 01:25:31,942
OKAY.

1061
01:25:33,945 --> 01:25:36,447
DO YOU WANNA
SIT DOWN?

1062
01:25:36,447 --> 01:25:37,948
SURE.

1063
01:25:55,466 --> 01:25:56,967
IT'S FOR YOU.

1064
01:25:56,968 --> 01:25:59,470
IT'S FOR ALL YOUR HELP
THIS WEEKEND.

1065
01:25:59,470 --> 01:26:00,971
YOU DIDN'T HAVE TO.

1066
01:26:00,972 --> 01:26:02,473
OPEN IT.

1067
01:26:07,979 --> 01:26:09,480
OH, IT'S BEAUTIFUL.

1068
01:26:09,480 --> 01:26:10,981
IT'S NEW.

1069
01:26:10,982 --> 01:26:13,484
THAT'S
THE FIRST BOTTLE.

1070
01:26:17,488 --> 01:26:18,489
<i>TRY IT.</i>

1071
01:26:35,006 --> 01:26:36,007
WHAT'S WRONG?

1072
01:26:41,512 --> 01:26:43,514
IT SMELLS LIKE LOVE.

1073
01:27:20,051 --> 01:27:22,053
WHAT DO YOU THINK?

1074
01:27:30,061 --> 01:27:31,562
NOW LOOK.

1075
01:27:46,077 --> 01:27:47,578
HOW DO YOU FEEL?

1076
01:27:48,579 --> 01:27:50,080
I FEEL...

1077
01:27:50,081 --> 01:27:53,084
MYSTERIOUS
FROM THE HEAD UP...

1078
01:27:55,586 --> 01:27:58,088
AND EXOTIC
FROM THE NECK DOWN.

1079
01:28:02,593 --> 01:28:05,095
WHAT SHOULD I DO NOW?

1080
01:28:29,620 --> 01:28:32,122
Ruth:
RACHEL, IF YOU'RE THERE, PICK UP.

1081
01:28:32,123 --> 01:28:34,125
I'M AT ANNA MILLER'S HOUSE.
I SPENT THE NIGHT HERE.

1082
01:28:34,125 --> 01:28:37,628
I HOPE YOU WEREN'T WORRIED.

1083
01:28:37,628 --> 01:28:39,129
LISTEN, I...

1084
01:28:39,130 --> 01:28:40,631
I WANTED
TO TELL YOU THAT...

1085
01:28:43,134 --> 01:28:45,636
I-- I NEED TO TELL YOU
THAT-- THAT I...

1086
01:28:45,636 --> 01:28:47,137
OH...

1087
01:28:47,138 --> 01:28:48,639
ANYWAY...

1088
01:28:48,639 --> 01:28:50,641
I'LL SEE YOU
SOON, OKAY?

1089
01:28:55,646 --> 01:28:57,147
SHE'S NOT THERE.

1090
01:29:00,151 --> 01:29:01,652
YOU CAN HAVE
THAT YEARBOOK

1091
01:29:01,652 --> 01:29:03,153
IF YOU'D LIKE.

1092
01:29:03,154 --> 01:29:04,655
YOU SURE?

1093
01:29:04,655 --> 01:29:05,656
YEAH.

1094
01:29:05,656 --> 01:29:07,658
THANKS.

1095
01:29:07,658 --> 01:29:09,159
I SHOULD GO HOME,
MAYBE.

1096
01:29:11,162 --> 01:29:13,164
I'D LIKE IT
IF YOU'D STAY.

1097
01:29:16,167 --> 01:29:17,668
I'LL STAY.

1098
01:29:25,676 --> 01:29:27,177
GO HOME.

1099
01:29:27,178 --> 01:29:28,679
WHAT?

1100
01:29:28,679 --> 01:29:30,180
GO HOME.

1101
01:29:30,181 --> 01:29:33,184
THOUGHT I COULD MAKE YOU
SOME DINNER OR SOMETHING.

1102
01:29:34,185 --> 01:29:36,187
DON'T USE ME, RONA.

1103
01:29:38,689 --> 01:29:41,692
LOOK, I LOVE YOU...

1104
01:29:41,692 --> 01:29:43,193
BUT YOU HAVE
TO FACE THIS.

1105
01:29:43,194 --> 01:29:46,197
NOW, GO HOME
AND DEAL WITH HIM.

1106
01:29:46,197 --> 01:29:48,699
COME SEE ME TOMORROW.
I'LL STILL BE SICK.

1107
01:29:51,202 --> 01:29:52,703
YOU'RE RIGHT.

1108
01:29:52,703 --> 01:29:54,705
OF COURSE
I'M RIGHT.

1109
01:29:54,705 --> 01:29:57,207
NOW, GO HOME.

1110
01:30:04,715 --> 01:30:06,717
RONA?

1111
01:30:06,717 --> 01:30:08,668
( speaking Italian )

1112
01:30:37,832 --> 01:30:40,334
MY DAD USED TO
BRING ME DOWN HERE,

1113
01:30:40,334 --> 01:30:43,337
TO TAKE PICTURES.

1114
01:30:43,337 --> 01:30:45,839
HE WAS A PHOTOGRAPHER.

1115
01:30:47,842 --> 01:30:50,344
DID HE DRESS YOU UP?

1116
01:30:51,846 --> 01:30:52,847
NO.

1117
01:30:59,854 --> 01:31:01,355
HOW DID YOU KNOW?

1118
01:31:02,857 --> 01:31:04,358
KNOW WHAT?

1119
01:31:06,861 --> 01:31:08,863
THAT YOU'RE...

1120
01:31:10,865 --> 01:31:11,866
WHAT YOU ARE.

1121
01:31:13,868 --> 01:31:15,369
HOW DID YOU KNOW?

1122
01:31:16,871 --> 01:31:18,873
I'M NOT SURE
THAT I DO KNOW.

1123
01:31:25,880 --> 01:31:27,381
YOU LIKE
TO LOOK AT ME

1124
01:31:27,381 --> 01:31:28,882
WHEN I'M DRESSED UP
LIKE THIS?

1125
01:31:30,885 --> 01:31:32,386
YEAH.

1126
01:31:34,388 --> 01:31:35,389
WHY?

1127
01:31:35,389 --> 01:31:37,391
I DON'T KNOW.

1128
01:31:38,893 --> 01:31:41,395
IT'S LIKE LOOKING
AT YOU INSIDE-OUT.

1129
01:31:54,909 --> 01:31:57,411
( door opens )

1130
01:31:59,413 --> 01:32:01,415
I'M LOOKING
FOR ANNA MILLER.

1131
01:32:01,415 --> 01:32:03,417
THROUGH THERE.

1132
01:32:06,921 --> 01:32:09,423
THEY FOUND HER.

1133
01:32:09,423 --> 01:32:11,925
SHE'S SAFE.

1134
01:32:15,930 --> 01:32:18,432
I CAN TAKE YOU TO HER.

1135
01:32:18,432 --> 01:32:19,933
OKAY...

1136
01:32:19,934 --> 01:32:20,935
OKAY...

1137
01:32:27,942 --> 01:32:29,443
( very softly )
THANK YOU.

1138
01:32:39,453 --> 01:32:40,454
RACHEL?

1139
01:32:43,457 --> 01:32:44,958
RACHEL?

1140
01:33:00,474 --> 01:33:02,476
Newscaster:
<i>...the park where</i> <i>she was last seen.</i>

1141
01:33:02,476 --> 01:33:05,479
Incredibly, little Amy Lee
had spent almost two days

1142
01:33:05,479 --> 01:33:07,981
in a loft room
without being detected.

1143
01:33:07,982 --> 01:33:09,483
She was found
this afternoon

1144
01:33:09,483 --> 01:33:11,485
on a search through
the construction site

1145
01:33:11,485 --> 01:33:13,987
across the road
from where she disappeared.

1146
01:33:13,988 --> 01:33:15,489
<i>How this was possible,</i>

1147
01:33:15,489 --> 01:33:17,991
even with numerous previous
searches of the area,

1148
01:33:17,992 --> 01:33:19,493
is still being
investigated,

1149
01:33:19,493 --> 01:33:22,496
but there is no evidence
of foul play.

1150
01:33:22,496 --> 01:33:24,998
Amy Lee, who is now
back home with her mother

1151
01:33:24,999 --> 01:33:26,000
after spending
the afternoon

1152
01:33:26,000 --> 01:33:28,502
under examination
at Children's Hospital,

1153
01:33:28,502 --> 01:33:31,505
was found to be
in surprisingly good health.

1154
01:33:31,505 --> 01:33:33,507
The child survived
the two day ordeal

1155
01:33:33,507 --> 01:33:35,509
by drinking water
from a tap,

1156
01:33:35,509 --> 01:33:38,512
and eating scraps of food
left over by workers.

1157
01:34:06,040 --> 01:34:08,042
( thunder rolling )

1158
01:34:09,043 --> 01:34:10,544
( laughing )

1159
01:35:29,123 --> 01:35:31,125
( couple talking on TV )

1160
01:35:31,125 --> 01:35:33,627
( man talking )

1161
01:35:33,627 --> 01:35:36,129
Newscaster:
<i>...reported to be fine</i> <i>despite her ordeal</i>

1162
01:35:36,130 --> 01:35:38,132
<i>and is now resting at home.</i>

1163
01:35:38,132 --> 01:35:40,134
A statement from her mother,
Anna Miller,

1164
01:35:40,134 --> 01:35:41,635
issued a short time ago,

1165
01:35:41,635 --> 01:35:44,137
commended the efforts of those
who helped in the search

1166
01:35:44,138 --> 01:35:46,140
and thanked others
whose thoughts and best wishes

1167
01:35:46,140 --> 01:35:47,641
were a source of comfort

1168
01:35:47,641 --> 01:35:49,643
during those difficult
two days.

1169
01:35:49,643 --> 01:35:52,145
<i>Just two days after</i>
<i>the search began,</i>

1170
01:35:52,146 --> 01:35:55,149
<i>Amy Lee Miller was found</i>
<i>no more than a city block away</i>

1171
01:35:55,149 --> 01:35:56,650
<i>from the park where she</i>
<i>was last seen...</i>

1172
01:35:57,651 --> 01:35:59,152
RONA, ARE YOU THERE?

1173
01:36:03,657 --> 01:36:05,659
YOU WERE WRONG.

1174
01:36:05,659 --> 01:36:08,161
THEY FOUND HER.

1175
01:36:30,184 --> 01:36:32,186
Roberto:
OKAY, MONICA.

1176
01:37:09,507 --> 01:37:12,009
( singing within )

1177
01:37:22,520 --> 01:37:29,527
♪ AMARILLI... ♪

1178
01:37:37,535 --> 01:37:41,539
♪ AMARILLI... ♪

1179
01:37:41,539 --> 01:37:47,545
♪ MI AMORE ♪

1180
01:38:04,061 --> 01:38:07,564
OH, THANK GOD
YOU'RE HOME.

1181
01:38:07,565 --> 01:38:08,566
THEY FOUND HER.